UID:
almafu_9959691302502883
Format:
1 online resource (xxi, 210 pages) :
,
digital, PDF file(s).
ISBN:
1-316-34951-9
,
1-316-35551-9
,
1-316-36191-8
,
1-316-36391-0
,
1-316-36291-4
,
1-316-36491-7
,
1-316-35851-8
,
1-316-22645-X
Content:
The Greeks inscribed their works of art and craft with labels identifying mythological or historical figures, bits of poetry, and claims of ownership. But no type of inscription is more hotly debated or more intriguing than the artist's signature, which raises questions concerning the role and status of the artist and the work of art or craft itself. In this book, Jeffrey M. Hurwit surveys the phenomenon of artists' signatures across the many genres of Greek art from the eighth to the first century BCE. Although the great majority of extant works lack signatures, the Greek artist nonetheless signed his products far more than any other artist of antiquity. Examining signatures on gems, coins, mosaics, wall-paintings, metalwork, vases, and sculptures, Hurwit argues that signatures help us assess the position of the Greek artist within his society as well as his conception of his own skill and originality.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Preface; Acknowledgments; A Note on Abbreviations; A Note on Translations and Transliterations; Part One: On The Status, Originality, and Difference of the Greek Artist; 1 Euthykartides' Toes: Signatures and the Status of the Greek Artist; 2 Greek "Exceptionalism" in the Ancient World; Part Two: Who Signed What, Where, How?; 3 Gems; 4 Coins; 5 Architecture; 6 Wall- and Panel-Painting; 7 Mosaics; 8 Vases; 9 Metalwork; 10 Sculpture; Part Three: Speculations; 11 Why?; Glossary
,
Appendix: Ancient Literary Sources on Greek and Roman ArtNotes; Works Cited; Index of Artists and Signatures; General Index
,
English
Additional Edition:
ISBN 1-107-51354-5
Additional Edition:
ISBN 1-107-10571-4
Language:
English
URL:
Volltext
(lizenzpflichtig)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
https://doi.org/10.1017/CBO9781316226452
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