UID:
almafu_9959691105102883
Umfang:
1 online resource (xxix, 458 pages) :
,
digital, PDF file(s).
ISBN:
1-316-45231-X
,
1-316-45519-X
,
1-316-45567-X
,
1-316-45615-3
,
1-316-45663-3
,
1-316-45855-5
,
1-316-27588-4
Inhalt:
Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822-8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.
Anmerkung:
Title from publisher's bibliographic system (viewed on 05 Apr 2016).
,
Cover; Half title; Title; Copyright; Dedication; Contents; List of figures; List of music examples; List of tables; Notes on contributors; Acknowledgements; Introduction: Schubert's late style and current musical scholarship; Part I Reception histories; Part II The late instrumental music (1): hermeneutics and performance; Part III The late instrumental music (2): meaning and genre; Part IV Defining late style; Select bibliography; Index; 1 'Classical' music and Viennese resistance to Schubert's Beethoven project; 2 Beethoven, Schubert and the movement of phenomena
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3 [Un]Himmlische Länge: editorial intervention as reception history4 Citation, narrative and meaning: Woody Allen and the late Schubert; 5 Schubert's alchemy: transformative surfaces, transfiguring depths; 6 Against the grain: the Sonata in G (D. 894) and a hermeneutics of late style; 7 Schubert's Wiegenlied: the Andante sostenuto from the Piano Sonata in Bb, D. 960; 8 Schubert's reconciliation of gothic and classical influences; 9 The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis
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10 Schubert hearing Don Giovanni: Mozartian death music in the 'Unfinished' Symphony11 Longing for the unattainable: the second movement of the 'Great' C major Symphony; 12 Tonal recollection in Schubert's late instrumental music; 13 Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music; 14 Formal ambiguity and generic reinterpretation in the late instrumental music; 15 The 'problem of solitude' and critique in song: Schubert's loneliness; 16 Music of the orphaned self? Schubert and concepts of late style
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17 Bounded finitude and boundless infinitude: Schubert's contradictions at the 'final barrier'18 Invocations of memory in Schubert's last songs; 19 'The prerogative of late style': thoughts on the expressive world of Schubert's late works; 20 Singing against late style: the problem of performance history
Weitere Ausg.:
ISBN 1-107-11129-3
Weitere Ausg.:
ISBN 1-107-52905-0
Sprache:
Englisch
Fachgebiete:
Musikwissenschaft
URL:
Volltext
(lizenzpflichtig)
URL:
https://doi.org/10.1017/CBO9781316275887
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