Format:
1 Online-Resource (xxv, 337 Seiten).
Content:
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form
Note:
Machine generated contents note: Preface and acknowledgements; Note on translations and abbreviations; Introduction. The nature of invention, in word and image; 1. Reviving the corpse; 2. Writing architecture; 3. Sperulo's vision; 4. Encomia of the unbuilt; 5. Metastructures of word and image; 6. Dynamic design; Conclusion. Building with mortar and verse; Appendices; Bibliography; Index
Additional Edition:
Erscheint auch als Druck-Ausgabe, hardback ISBN 9781107130524
Additional Edition:
Erscheint auch als Druck-Ausgabe, paperback ISBN 9781107571518
Language:
English
Subjects:
Art History
Keywords:
Humanismus
;
Villa
;
Kultur
;
1463-1531 Sperulo, Francesco
;
1483-1520 Raffael
;
Gestaltung
;
Planung
;
Architektur
;
Ausstattung
DOI:
10.1017/9781316418161
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
https://doi.org/10.1017/9781316418161
URL:
Volltext
(lizenzpflichtig)
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