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  • 1
    Online-Ressource
    Online-Ressource
    English authorship and the early modern sublime : fictions of transport in Spenser, Marlowe, Shakespeare and Jonson (2018)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_1020524308
    Umfang: 1 Online-Ressource (xiv, 312 pages) , digital, PDF file(s)
    ISBN: 9781107279100
    Inhalt: Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon
    Inhalt: Machine generated contents note: Acknowledgements; Note on texts and references; Illustrations; Introduction: authorship and sublimity; 1. Citizenship and Godhood: a historical aesthetics of the sublime image, longinus to lyotard; 2. Spenser's sublime career; 3. Fictions of transport: Spenser's heroic sublime; 4. Tragedy and transport: Phantasia in Marlowe's poems and plays; 5. 'A world of figures': the Shakespearean sublime; 6. The sublime wit of Ben Jonson; Afterword: 'the Aonian mount': sublimity, eloquence, canonicity; Works cited; Index
    Anmerkung: Title from publisher's bibliographic system (viewed on 12 Mar 2018)
    Weitere Ausg.: ISBN 9781107049628
    Weitere Ausg.: ISBN 9781107627918
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9781107049628
    Sprache: Englisch
    DOI: 10.1017/9781107279100
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Online Zugang
    Open Access Wunsch
    Stabi Berlin
    Informationszentrum DGAP
  • 2
    Buch
    Buch
    English authorship and the early modern sublime : Spenser, Marlowe, Shakespeare, Jonson (2018)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_1000856976
    Umfang: xiv, 312 Seiten , Illustrationen , 23 cm
    ISBN: 9781107049628 , 9781107627918
    Inhalt: Machine generated contents note: Acknowledgements; Note on texts and references; Illustrations; Introduction: authorship and sublimity; 1. Citizenship and Godhood: a historical aesthetics of the sublime image, longinus to lyotard; 2. Spenser's sublime career; 3. Fictions of transport: Spenser's heroic sublime; 4. Tragedy and transport: Phantasia in Marlowe's poems and plays; 5. 'A world of figures': the Shakespearean sublime; 6. The sublime wit of Ben Jonson; Afterword: 'the Aonian mount': sublimity, eloquence, canonicity; Works cited; Index
    Inhalt: "Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon"--
    Anmerkung: Literaturverzeichnis: Seiten 265 - 290
    Weitere Ausg.: 10.1017/9781107279100
    Sprache: Englisch
    Schlagwort(e): Spenser, Edmund 1552-1599 ; Marlowe, Christopher 1564-1593 ; Shakespeare, William 1564-1616 ; Jonson, Ben 1572-1637 ; Autorschaft ; Das Erhabene ; Spenser, Edmund 1552-1599 ; Marlowe, Christopher 1564-1593 ; Shakespeare, William 1564-1616 ; Jonson, Ben 1572-1637 ; Autorschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Buch
    Stabi Berlin get availability status
  • 3
    Online-Ressource
    Online-Ressource
    English authorship and the early modern sublime : fictions of transport in Spenser, Marlowe, Shakespeare and Jonson (2018)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almahu_9947548518602882
    Umfang: 1 online resource (xiv, 312 pages) : , digital, PDF file(s).
    ISBN: 9781107279100 (ebook)
    Inhalt: Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.
    Anmerkung: Title from publisher's bibliographic system (viewed on 12 Mar 2018). , Machine generated contents note: Acknowledgements; Note on texts and references; Illustrations; Introduction: authorship and sublimity; 1. Citizenship and Godhood: a historical aesthetics of the sublime image, longinus to lyotard; 2. Spenser's sublime career; 3. Fictions of transport: Spenser's heroic sublime; 4. Tragedy and transport: Phantasia in Marlowe's poems and plays; 5. 'A world of figures': the Shakespearean sublime; 6. The sublime wit of Ben Jonson; Afterword: 'the Aonian mount': sublimity, eloquence, canonicity; Works cited; Index.
    Weitere Ausg.: Print version: ISBN 9781107049628
    Sprache: Englisch
    URL: https://doi.org/10.1017/9781107279100
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    HU Berlin
  • 4
    Online-Ressource
    Online-Ressource
    English authorship and the early modern sublime : fictions of transport in Spenser, Marlowe, Shakespeare and Jonson (2018)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almafu_9960119067802883
    Umfang: 1 online resource (xiv, 312 pages) : , digital, PDF file(s).
    Ausgabe: First edition.
    ISBN: 1-108-63888-0 , 1-107-27910-0 , 1-108-55332-X
    Inhalt: Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.
    Anmerkung: Title from publisher's bibliographic system (viewed on 12 Mar 2018). , Machine generated contents note: Acknowledgements; Note on texts and references; Illustrations; Introduction: authorship and sublimity; 1. Citizenship and Godhood: a historical aesthetics of the sublime image, longinus to lyotard; 2. Spenser's sublime career; 3. Fictions of transport: Spenser's heroic sublime; 4. Tragedy and transport: Phantasia in Marlowe's poems and plays; 5. 'A world of figures': the Shakespearean sublime; 6. The sublime wit of Ben Jonson; Afterword: 'the Aonian mount': sublimity, eloquence, canonicity; Works cited; Index.
    Weitere Ausg.: ISBN 1-107-04962-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    FU Berlin
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