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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947547081902882
    Format: 1 online resource (xv, 472 pages) : , digital, PDF file(s).
    ISBN: 9781108182676 (ebook)
    Series Statement: Cambridge intellectual property and information law
    Content: Protecting designs is complex and diverse; it involves deciding whether to protect them by design law, copyright law, or by both laws. A single protection may be under- or overprotective but two or more can be overprotective if there are no rules regulating the overlap. Legal systems in Europe and abroad have struggled to find the most adequate solution to this problem. This book traces the history of the design/copyright interface of fifteen countries, selected for their diversity in the way they dealt with the interface. It examines how these countries have coped with the problems engendered by the interface, the rules they applied to it over time and the reasons for legislative changes. This analysis reveals the most appropriate rules to regulate the interface at EU and global level and will appeal to academics, practising lawyers, judges, students and policymakers all over the world.
    Note: Title from publisher's bibliographic system (viewed on 26 Feb 2018). , Machine generated contents note: 1. The Copyright/Design Interface in France Anne-Emmanuelle Kahn; 2. The Copyright/Design Interface in the Netherlands Antoon Quaedvlieg; 3. The Copyright/Design Interface in Greece Irini Stamatoudi and Maria-Daphne Papadopoulou; 4. The Copyright/Design Interface in Scandinavia Jens Schovsbo and Morten Rosenmeier; 5. The Case for Partial Cumulation in Germany Ansgar Ohly; 6. The Design Copyright Conflict in the United Kingdom: A History Lionel Bently; 7. The Copyright/Design Interface in Australia Isabella Alexander; 8. The Copyright/Design Interface in Italy Estelle Derclaye; 9. "Courts Have Twisted Themselves Into Knots" (and the Tangled Knots Remain Tangled): US Copyright Protection for Applied Art after Star Athletica Jane C. Ginsburg; 10. US Design Patent Law: A Historical Look at the Design Patent/Copyright Interface Jason J. Du Mont and Mark D. Janis; 11. The Copyright/Design Interface in Japan Masahiro Motoyama; 12. A Model Copyright/Design Interface: Not an Impossible and Undesirable Task? Estelle Derclaye.
    Additional Edition: Print version: ISBN 9781107198678
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    gbv_1629453293
    Format: xv, 472 Seiten , Illustrationen
    ISBN: 9781107198678
    Series Statement: Cambridge intellectual property and information law
    Content: "Protecting designs is complex and diverse; it involves deciding whether to protect them by design law, copyright law, or by both laws. A single protection may be under- or overprotective but two or more can be overprotective if there are no rules regulating the overlap. Legal systems in Europe and abroad have struggled to find the most adequate solution to this problem. This book traces the history of the design/copyright interface of 15 countries, selected for their diversity in the way they dealt with the interface. It examines how these countries have coped with the problems engendered by the interface, the rules they applied to it over time and the reasons for legislative changes. This analysis reveals the most appropriate rules to regulate the interface at EU and global level and will appeal to academics, practising lawyers, judges, students and policymakers all over the world"--
    Content: "The world (hi)story of the protection of designs has been extremely diverse. It is so because of the special, hybrid, nature of such works: they often combine utility and beauty so that it involves deciding whether to protect the work only by design law or only by copyright law, or by both. For over a century, legal systems, not only at national but also at regional and international level, have struggled to find the most adequate solution: a single protection may be under- or overprotective and two or more can be overprotective"--
    Content: Machine generated contents note: 1. The Copyright/Design Interface in France Anne-Emmanuelle Kahn; 2. The Copyright/Design Interface in the Netherlands Antoon Quaedvlieg; 3. The Copyright/Design Interface in Greece Irini Stamatoudi and Maria-Daphne Papadopoulou; 4. The Copyright/Design Interface in Scandinavia Jens Schovsbo and Morten Rosenmeier; 5. The Case for Partial Cumulation in Germany Ansgar Ohly; 6. The Design Copyright Conflict in the United Kingdom: A History Lionel Bently; 7. The Copyright/Design Interface in Australia Isabella Alexander; 8. The Copyright/Design Interface in Italy Estelle Derclaye; 9. "Courts Have Twisted Themselves Into Knots" (and the Tangled Knots Remain Tangled): US Copyright Protection for Applied Art after Star Athletica Jane C. Ginsburg; 10. US Design Patent Law: A Historical Look at the Design Patent/Copyright Interface Jason J. Du Mont and Mark D. Janis; 11. The Copyright/Design Interface in Japan Masahiro Motoyama; 12. A Model Copyright/Design Interface: Not an Impossible and Undesirable Task? Estelle Derclaye
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe The copyright/design interface Cambridge : Cambridge University Press, 2018 ISBN 9781107198678
    Additional Edition: ISBN 9781108182676
    Language: English
    Keywords: Europäische Union ; Gemeinschaftsgeschmacksmuster ; Internationaler gewerblicher Rechtsschutz ; Internationales Urheberrecht ; Gebrauchsmusterrecht ; Rechtsvergleich ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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