Kooperativer Bibliotheksverbund

UID:

Format: XX, 522 S. : , Ill.

ISBN: 978-1-4443-3627-6

Content: "An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider 'noir mediascape' of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars "--

Note: Includes bibliographical references and index

Language: English

Subjects: General works

Keywords: Film noir ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025953938&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Cover

UID:

Format: 1 Online-Ressource (XX, 522 S.) : , Ill.

ISBN: 978-1-118-52372-8 , 978-1-118-52374-2 , 978-1-118-52375-9 , 978-1-299-71254-6

Content: "An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider 'noir mediascape' of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars "--

Additional Edition: Erscheint auch als Druckausgabe ISBN 978-1-4443-3627-6

Language: English

Subjects: General works

Keywords: Film noir ; Aufsatzsammlung ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc.

DOI: 10.1002/9781118523728

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118523728

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118523728

UID:

Format: 1 online resource (544 pages)

Edition: 1st ed.

ISBN: 9781118523759

Note: Intro -- A Companion to Film Noir -- Copyright -- Contents -- List of Illustrations -- Notes on Contributors -- Acknowledgments -- Foreword -- Introduction: The Problem of Film Noir -- An International Genre? -- What is Film Noir? -- Redefining Film Noir: Cultural Contexts -- Redefining Film Noir: Social and Industrial Contexts -- The Fabric of Film Noir: Style and Subjectivity -- The Noir Mediascape -- The Success of Film Noir -- Notes -- Part I Conceptualizing Film Noir -- 1 The Strange Case of Film Noir -- A "Radical Aesthetic Break" -- A Distinct Cluster of Films -- Sociocultural Trauma -- Notes -- 2 Genre, Hybridity, Heterogeneity: or, the Noir-SF-Vampire-Zombie-Splatter-Romance-Comedy-Action-Thriller Problem -- The Lures of the Hybrid -- History and Heterogenity -- Notes -- 3 A Wet Emptiness: The Phenomenology of Film Noir -- The Lid and the Works -- Gulf City -- Night For Day -- Notes -- 4 Cinephilia and Film Noir -- Loving Film Noir -- Cinephilia as a Phenomenon -- The Invention of Film Noir -- The Noir Collector -- Notes -- Part II Hidden, Hybrid, and Transmedia Histories and Influences -- 5 Precursors to Film Noir -- Pre-Code Precursors -- Returning Veterans: The Forgotten Men of World War I -- Warren William: Rogue of Pre-Code -- Love Is a Racket: The Tough Sexual Politics of Pre-Code Noirs -- Notes -- 6 Crisscrossed?: Film Noir and the Politics of Mobility and Exchange -- Introduction -- Film Noir and France -- Film Noir and Germany -- Film Noir: Europe and Hollywood -- Le Jour se lève and The Long Night -- Lured and Pièges -- Conclusion -- Notes -- 7 Film Noir and Horror -- Introduction -- 1930s' American Horror and the Noir to Come -- 1940s' American Horror and Noir -- Conclusion -- Notes -- 8 Borderings: The Film Noir Semi-Documentary -- Dark Passage: Stranger on the Third Floor -- Institutional Truth-Telling: Southside 1-1000 , Masculinity in Murder, My Sweet: From Juvenile to World-Weary -- Out Of The Past: A Guy Without a Future -- Notes -- Part IV The Fabric of Film Noir: Style and Performance -- 16 Out of the Shadows: Noir Lighting and Hollywood Cinematography -- Noir Lighting and Film Technology -- The Moods of Noir -- Precision Effects -- Glamorous and Grotesque -- Conclusion -- Acknowledgments -- Notes -- 17 The Ambience of Film Noir: Soundscapes, Design, and Mood -- Introduction: Tones of Noir -- Sound in the Studio Era: Technological and Industrial Contexts -- The Development of Sound Conventions -- Footsteps in the Dark: Pacing through the City Soundscape -- Spaces and Moods: Nitery Singers in the Noir Nightclub -- Listening in the Dark: Points and Patterns of Audition -- Audition and Alienation: Point of Audition in Neo-Noir in the 1970s -- Enveloped in the Dark: Noir Surround Sound -- Conclusion -- Acknowledgments -- Notes -- 18 In a Lonely Tone: Music in Film Noir -- The Orchestral Score and Film Noir -- Jazz and Film Noir -- New Approaches and Murder by Contract -- Notes -- 19 Acting and Performance in Film Noir -- Screen Performance -- Diegetic Performance -- Social Performance -- Conclusion -- Notes -- Part V Identities and Film Noir -- 20 Film Noir and Subjectivity -- Cultural and Aesthetic Contexts: Noir and Modernism -- Noir Form: the Aesthetics of Subjectivity -- Film Noir and Neo-Noir: Modernist and Postmodernist Subjectivity -- Notes -- 21 Women in Film Noir -- Critical Perspectives on Women in Film Noir -- Women in American Film Noir -- Women in Neo-Noir -- Notes -- 22 "The Corpse on Reprieve": Film Noir's Cautionary Tales of "Tough Guy" Masculinity -- The Problem of Men: The War, the Return, the Diagnosis -- Reclaiming the Guilty Past -- Film Noir as Talking Cure -- Conclusion -- Notes -- 23 Ethnicity and Race in American Film Noir , Notes -- 9 Crime Fiction and Film Noir -- The Initial Broad and Undifferentiated Public: Gangster Fiction -- The First Counterpublic: Detective Fiction -- Second Counterpublic: Sex and Cynicism -- Third Counterpublic: Irrationality and Psychosis -- Fourth Counterpublic: Connoisseurship, Iconicity, and Intertextuality -- Notes -- 10 Film Noir, American Painting and Photography: Questions of Influence -- American Art I: The Ashcan School -- American Art II: Reginald Marsh and Edward Hopper -- Photography -- Conclusion -- Notes -- Part III Social, Industrial, and Commercial Contexts -- 11 The Politics of Film Noir -- Introduction -- Political Noir -- Abraham Polonsky -- Joseph Losey -- Jules Dassin -- Cy Endfield -- Robert Rossen -- Conclusion -- Notes -- 12 The Black Typewriter: Who Wrote Film Noir? -- Introduction -- Who Wrote the Film? -- The Hard-Boiled Influence -- Women Write Noir -- Film Noir and the Blacklist -- Conclusion -- Notes -- 13 Film Noir and Studio Production Practices -- "Early" Film Noir: Outside and Inside the Studio System -- Film Noir Production During the War Years -- The Exhibition of Films Noir: Noir's Place on the Double Bill -- Films Noir Production on Poverty Row -- Noir Production at the End of the Studio Era and the Rise of the Independents -- Notes -- 14 Film Noir and Post-Studio Production Practices -- Introduction -- Neo-Noir and New Hollywood -- Neo-Noir in the Era of the Blockbuster -- Neo-Noir, Independent Production, and the Video Rental Boom -- Commodifying Neo-Noir: Direct-to-Video Companies -- Conclusion -- Notes -- 15 Selling Noir: Stars, Gender, and Genre in Film Noir Posters and Publicity -- Introduction: Contexts, Codes, and Conventions -- Gilda: Object of Contemplation, Desiring Subject, Woman being Beaten -- Double Indemnity: You Can't Kiss Away a Murder! , The Shared History of Race and Ethnicity -- Bogie's Noir Stance on Race and Ethnicity -- Ethnicity in Classic Film Noir -- Race in Classic Film Noir -- Race in Neo-Noir -- Ethnicity in Neo-Noir -- Noir Ambivalence about Race and Ethnicity -- Acknowledgments -- Notes -- 24 The Climb and the Chase: Film Noir and the Urban Scene - Representations of the City in Three Classic Noirs -- The Dark City of Noir -- Sleepless -- Sweat Gleams at Night -- Noir of the Soul -- Conclusion -- Notes -- Part VI Noir in Other Forms -- 25 Radio Noir in the USA -- Introduction: Critical Background and Neglect -- Radio Programming - Adaptations -- Crime Programming on Radio -- Formal Differences Between Radio and Film -- The Aesthetics and Sensational Appeal of Radio Noir -- The Decline of Radio Drama -- The Importance of Radio Noir -- Notes -- 26 Television Noir -- Noir Wars and Paradigm Cases -- Out of Our Past -- Moral Ambiguity -- Noir et Blanc in Color -- Sunshine Noir -- Television Auteurism and Miami Vice -- Crime Story -- The Equalizer, Stingray, Wiseguy -- Mixed Genre Series -- The End of Noir? -- Conclusion -- Acknowledgments -- Notes -- 27 "It Rhymes with Lust": The Twisted History of Noir Comics -- Notes -- Part VII New Geographies of Film Noir -- 28 Film Noir in Asia: Historicizing South Korean Crime Thrillers -- Postwar South Korean Cinema and Black Hair -- The Policier, Korean-Style: The Last Witness -- Conclusion -- Notes -- 29 Bombay Noir -- Bombay Noir and Gangsters -- Serial Killers and Media Classics -- Johnny Gaddaar: Counterfeiting Noir -- Conclusion -- Acknowledgment -- Notes -- Index

Additional Edition: Print version Spicer, Andre A Companion to Film Noir Newark : John Wiley & Sons, Incorporated,c2013

Language: English

Keywords: Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))

UID:

Format: 1 online resource (xx, 522 pages) : , illustrations

ISBN: 9781118523759 , 111852375X , 9781118523728 , 1118523725 , 9781118523742 , 1118523741 , 1299712541 , 9781299712546

Content: "An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider 'noir mediascape' of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars "--

Content: "Film noir fascinates cineastes like no other genre. This authoritative companion features the work of a highly distinguished group of international scholars, adopting a thematic approach that examines key topics rather than focusing on individual titles or auteurs. It reflects the expanding purview of analysts by including novel subjects such as neo-noir, international noir movies, and 'noir' as expressed in other forms such as comics, graphic novels, posters, radio and television. Informed by cutting-edge scholarship, this collection extends and deepens the developing understanding of this enduringly captivating mode of cultural expression"--

Note: pt. 1. Conceptualizing film noir -- pt. 2. Hidden, hybrid, and transmedia histories and influences -- pt. 3. Social, industrial, and commercial contexts -- pt. 4. The fabric of film noir : style and performance -- pt. 5. Identities and film noir -- pt. 6. Noir in other forms -- pt. 7. New geographies of film noir.

Additional Edition: Print version: Companion to film noir. Chichester, West Sussex : Wiley Blackwell, 2013 ISBN 9781444336276

Language: English

Keywords: Electronic books. ; Criticism, interpretation, etc.

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118523728

UID:

Format: 1 Online-Ressource (XX, 522 S.) : , Ill.

ISBN: 978-1-118-52372-8 , 978-1-118-52374-2 , 978-1-118-52375-9 , 978-1-299-71254-6

Content: "An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider 'noir mediascape' of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars "--

Additional Edition: Erscheint auch als Druckausgabe ISBN 978-1-4443-3627-6

Language: English

Subjects: General works

Keywords: Film noir ; Aufsatzsammlung

DOI: 10.1002/9781118523728

URL: Volltext  (URL des Erstveröffentlichers)