Umfang:
1 online resource (483 pages)
Ausgabe:
1st ed.
ISBN:
9780415576727
,
9781135720001
Anmerkung:
Front Cover -- The Classical Hollywood Reader -- Copyright Page -- Contents -- List of illustrations -- Notes on contributors -- Acknowledgements -- Permissions -- Steve Neale: Introduction -- 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives -- Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26 -- 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s -- 3. Richard Koszarski: Making Movies, 1915-28 -- 4. Kristin Thompson: The Limits of Experimentation in Hollywood -- 5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking -- 6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s -- Part II: Sound and the studio system, 1926-46 -- 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry -- 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version -- 9. Howard T. Lewis: Organization -- 10. Thomas Schatz: Hollywood: The Triumph of the Studio System -- 11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset -- 12. Tino Balio: Selling Stars: The Economic Imperative -- Part III: Representation, technology, production and style, 1926-46 -- 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood -- 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s -- 15. Kathryn Kalinak: The Classical Hollywood Film Score -- 16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography -- 17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era
,
18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation -- Part IV: Postwar Hollywood and the end of the studio system, 1946-66 -- 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry -- 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition -- 21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound -- 22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification -- 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s -- 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation -- Steve Neale: Epilogue -- Bibliography -- Index
Weitere Ausg.:
Print version Neale, Steve The Classical Hollywood Reader Oxford : Taylor & Francis Group,c2012 ISBN 9780415576727
Sprache:
Englisch
Schlagwort(e):
Electronic books
URL:
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