UID:
edocfu_9961552771202883
Format:
1 online resource (472 p.)
Edition:
1st ed.
ISBN:
1-136-05789-7
,
1-136-05790-0
,
1-282-71186-5
,
9786612711862
,
0-08-095207-0
Content:
From a basic two-camera interview to an elaborate 26 camera HD concert film, this comprehensive guide presents a platform-agnostic approach to the essential techniques required to set up and edit a multi-camera project. Actual case studies are used to examine specific usages of multi-camera editing and include a variety of genres including concerts, talk shows, reality programming, sit-coms, documentaries for television, event videography and feature films. Other features include:* Advanced multi-camera techniques and specialty work-flows are examined for tapeless & large scale
Note:
Description based upon print version of record.
,
Mastering Multicamera Techniques: From Preproduction to Editing and Deliverables; Copyright; Contents; Acknowledgments; Category-5 Publishing Credits; Foreword; Introduction; Everybody Has an Angle; What You'll Learn; Companion DVD; The Gist; My Qualifications; Part 1 Preproduction; Chapter 1 Preproduction; Organization; The Editor's Role in Preproduction; Fix It Before Post (for a Change); Acquisition Formats; Tapeless; Looking Ahead Toward Postproduction; Testing Saves Money and Time; Chapter 2 Tape Labeling and Scene Numbering Systems; Prelabeled Tapes; Reel Naming Systems; Talk Shows
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SitcomsTapeless Clip Nomenclature; Slates, Scenes, and Takes; Scene Designations; Part 2 Production; Chapter 3 Types of Multicamera Productions; Studio Systems; Mobile Television Systems; Film Production; Cutting A-B Cameras; The Two-Sided Single; Chapter 4 The Multicamera Shoot Day; Truck Park and Power; Crew Positions; Building and Matching Cameras; Setting up the Tape Room; Monitoring; Audio Considerations; ESU: Equipment Setup; In the Moment: The Late Show with David Letterman; Part 3 Timecode and Sync; Chapter 5 Timecode Basics; Multi-Expert Approach: Audio Department Handles Sync
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The Timecode GeneratorFrame Rates; Record Run Timecode; Free Run/Time-of-Day Timecode; Jam-Syncing Timecode; Compensating for TC Drifts: Portable Timecode and Sync Boxes; Recording Timecode Tracks; Preshoots and Shooting over Two Nights or Two Days; Chapter 6 Sync Methods; Traditional Sync Methods; Auxiliary LTC Timecode; Double-System Audio; iPhone Digital Clapper Boards; Chapter 7 Syncing the NonSynchronous; Concert Slate or Open Clapboard Display; FireWire Sync; Remote Control Timecode; Manually Syncing with Audio Waves; Auto-Syncing Software; LTC TC Makes a Comeback; Part 4 Postproduction
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Chapter 8 Computers, Bandwidth, and SpeedChoking the System; Bandwidth and Data Rates; Editing Codecs; Transcoding; Hard Drive Technology; Multicamera Math; Minimum Requirements; Shared Storage; Demystifying Multithreading; Chapter 9 Multicamera NonLinear Editing Software; Today's Top Systems; Avid Media Composer; Apple Final Cut Pro; Adobe Premiere Pro; Sony Vegas; Grass Valley EDIUS (and the Rest); Chapter 10 Preparing the Multicamera Project for Editing; Offline/Online Workflow; The Proxy; Mixed Formats and Frame Rates; Naming Angles; Logging; The Ultimate Multicam Tape Logging Shortcuts
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CapturingIngesting Red Files; Master-Affiliate Relationships (FCP); Basic Operations; Databases and Multicam Searches; Chapter 11 Grouping and Syncing Angles; Basic Grouping Methods; Sync Maps; Rebuilding Nonspanned P2 Clips; Sync to What?; The Super Groups; Digging Deeper; Part 5 Editorial; Chapter 12 Cutting Techniques and Styles; Multicam Editing Styles; Working with Line Cuts; Cheating a Shot; Layering Multiclips for PiP Effects; Ganging Pop-up Monitors; Avid ScriptSync; Chapter 13 Cutting Music; The Symphonic Cut: Classical and Opera Television; Music-Cutting Techniques
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Cutting Concerts: Track by Track
,
English
Additional Edition:
ISBN 1-138-41059-4
Additional Edition:
ISBN 0-240-81176-3
Language:
English
DOI:
10.4324/9780080952079
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