Kooperativer Bibliotheksverbund

UID:

Format: XII, 284 S. , Ill.

Edition: 1. ed.

ISBN: 1137027096 , 9781137027092

Note: Includes bibliographical references (p. 249-269) and index , Introduction: Imagining human rights in twenty-first century theater , Introduction: Imagining human rights in twenty-first century theater , Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission , Where "God is like a longing": theater and social vulnerability in Mozambique , The ESMA: from torture chambers into new sites of memory , Surpassing metaphors of violence in postdictatorial Southern Cone theater , Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom , Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird , Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin , Migrant melodrama, human rights, and Elvira Arellano , Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater , Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines , "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul , Broadway without borders , Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission , Where "God is like a longing": theater and social vulnerability in Mozambique , The ESMA: from torture chambers into new sites of memory , Surpassing metaphors of violence in postdictatorial Southern Cone theater , Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom , Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird , Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin , Migrant melodrama, human rights, and Elvira Arellano , Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater , Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines , "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul , Broadway without borders

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Theater ; Aufführung ; Menschenrecht ; Geschichte 1990-2012 ; Menschenrecht ; Drama ; Geschichte 1990-2012 ; Aufsatzsammlung ; Bibliografie

UID:

Format: XII, 284 S. : , Ill.

Edition: 1. ed.

ISBN: 978-1-137-02709-2

Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , General works

Keywords: Drama ; Menschenrecht ; Theater ; Menschenrecht ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026904227&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA