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  • 1
    UID:
    almahu_BV045522400
    Format: xvii, 343 Seiten : , Illustrationen ; , 22cm.
    ISBN: 978-1-137-40481-7
    Series Statement: Reproducing Shakespeare
    Additional Edition: Erscheint auch als Online-Ausgabe, eBook ISBN 978-1-137-40482-4
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Drama ; Inszenierung ; Aufführung ; 1564-1616 Shakespeare, William ; Drama ; Adaption
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9948170580902882
    Format: XVII, 343 p. 27 illus., 26 illus. in color. , online resource.
    Edition: 1st ed. 2019.
    ISBN: 9781137404824
    Series Statement: Reproducing Shakespeare
    Content: In the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an undoing and a redoing, above all a doing differently of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Thomas Ostermeier, Ivo van Hove, and New York’s Wooster Group, among others. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment—in more diverse forms than ever before—continues to exert expressive force in Shakespearean reproduction’s turning world.
    Note: Chapter 1: Reenacting Shakespeare in the Shakespeare Aftermath -- Chapter 2: The Intermedial Turn & Turn to Embodiment -- Chapter 3: Ghosts of History: Edward Bond’s Lear & Bingo, Heiner Müller’s Hamletmachine -- Chapter 4: States of Exception: Remembering Shakespeare Differently in Anatomie Titus, Forget Hamlet & Haider -- Chapter 5: Peter Greenaway’s Montage of Attractions: Prospero’s Books and the Paratextual Imagination -- Chapter 6: Channeling the Ghosts: the Wooster Group’s Remediation of the 1964 Electronovision Hamlet -- Chapter 7: High Tech Shakespeare in a Mediatized Globe: Ivo van Hove’s Roman Tragedies & the Problem of Spectatorship -- Chapter 8: Disassembly, Meaning-Making & Montage in Annie Dorsen’s A Piece of Work and Péter Lichter and Bori Máté’s The Rub -- Chapter 9: CODA: Mixed Reality: the Virtual Future & Return to Embodiment.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781137404817
    Additional Edition: Printed edition: ISBN 9781349680641
    Additional Edition: Printed edition: ISBN 9781349680634
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1671004973
    Format: 1 Online-Ressource (XVII, 343 p. 27 illus., 26 illus. in color)
    Edition: 1st ed. 2019
    ISBN: 9781137404824
    Series Statement: Reproducing Shakespeare
    Content: Chapter 1: Reenacting Shakespeare in the Shakespeare Aftermath -- Chapter 2: The Intermedial Turn & Turn to Embodiment -- Chapter 3: Ghosts of History: Edward Bond’s Lear & Bingo, Heiner Müller’s Hamletmachine -- Chapter 4: States of Exception: Remembering Shakespeare Differently in Anatomie Titus, Forget Hamlet & Haider -- Chapter 5: Peter Greenaway’s Montage of Attractions: Prospero’s Books and the Paratextual Imagination -- Chapter 6: Channeling the Ghosts: the Wooster Group’s Remediation of the 1964 Electronovision Hamlet -- Chapter 7: High Tech Shakespeare in a Mediatized Globe: Ivo van Hove’s Roman Tragedies & the Problem of Spectatorship -- Chapter 8: Disassembly, Meaning-Making & Montage in Annie Dorsen’s A Piece of Work and Péter Lichter and Bori Máté’s The Rub -- Chapter 9: CODA: Mixed Reality: the Virtual Future & Return to Embodiment
    Content: In the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an undoing and a redoing, above all a doing differently of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Thomas Ostermeier, Ivo van Hove, and New York’s Wooster Group, among others. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment—in more diverse forms than ever before—continues to exert expressive force in Shakespearean reproduction’s turning world
    Additional Edition: ISBN 9781137404817
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-137-40481-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York :Palgrave Macmillan US, | New York :Palgrave Macmillan.
    UID:
    edocfu_BV046084562
    Format: 1 Online-Ressource (XVII, 343 p. 27 illus., 26 illus. in color).
    Edition: 1st ed. 2019
    ISBN: 978-1-137-40482-4
    Series Statement: Reproducing Shakespeare
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-137-40481-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-68064-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-68063-4
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Drama ; Inszenierung ; Aufführung ; 1564-1616 Shakespeare, William ; Drama ; Adaption
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York :Palgrave Macmillan US, | New York :Palgrave Macmillan.
    UID:
    edoccha_BV046084562
    Format: 1 Online-Ressource (XVII, 343 p. 27 illus., 26 illus. in color).
    Edition: 1st ed. 2019
    ISBN: 978-1-137-40482-4
    Series Statement: Reproducing Shakespeare
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-137-40481-7
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-68064-1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-349-68063-4
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Drama ; Inszenierung ; Aufführung ; 1564-1616 Shakespeare, William ; Drama ; Adaption
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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