Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (ix, 207 pages)

ISBN: 9781315645384 , 1315645386 , 9781317291831 , 1317291832 , 9781138184138 , 1138184136 , 9781138184145 , 1138184144

Content: "How might we document, curate, collect, and exhibit performance? Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards. Considering the unique challenges of documenting live events including hybrid and interactive arts, games, virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays, and examines a number of interdisciplinary documentation practices which have influenced the field of performance documentation. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney. Developing from recent approaches which argue that discussions of performance should not focus purely on the live event, and that documentation should not be read solely as a process of retrospection, these chapters build a radical new framework for thinking about the relationship between performance and its documentation--and how documentation might shape ideas of what constitutes performance in the first place."--Provided by publisher.

Note: Part, I Interviews -- , chapter Introduction Practical histories -- , How we do things with performance / , chapter 1 Museum of Modern Art, New York -- , Stuart Comer, Chief Curator in the Department of Media and Performance Art; Michelle Elligott, Chief of Archives; and Ana Janevski, Associate Curator in the Department of Media and Performance Art / , chapter 2 Whitney Museum of American Art, New York -- , Jay Sanders, Engell Speyer Family Curator and Curator of Performance / , chapter 3 Tate, London -- , Catherine Wood, Senior Curator International Art (Performance); and Pip Laurenson, Head of Collection Care Research / , chapter 4 San Francisco Museum of Modern Art -- , Jill Sterrett, Director of Collections and Conservation; Rudolf Frieling, Curator for Media Arts; and Frank Smigiel, Associate Curator for Performance and Film / , chapter 5 Van Abbemuseum, EINDHOVEN -- , Christiane Berndes, Curator and Head of Collection; and Annie Fletcher, Chief Curator / , chapter 6 The Kitchen, New York -- , Tim Griffin, Executive Director and Chief Curator / , chapter 7 Walker Art Center, Minneapolis -- , Philip Bither, William and Nadine McGuire Director and Senior Curator, Performing Arts; Eric Crosby, Associate Curator, Visual Arts; Robin Dowden, Director, New Media Initiatives; and Fionn Meade, Artistic Director / , chapter 8 Performa, New York -- , RoseLee Goldberg, Founding Director and Curator / , chapter 9 LIMA, Amsterdam -- , Gaby Wijers, Director / , chapter 10 Pics or it didn't happen -- , Text by Catherine Wood, including an interview with Amalia Ulman / , part, II Essays -- , chapter 11 Performing the archive and exhibiting the ephemeral / , chapter 12 At the edge of the 'living present' -- , Re-enactments and re-interpretations as strategies for the preservation of performance and new media art / , chapter 13 Documenting interaction / , chapter 14 Screen capture and replay -- , Documenting gameplay as performance / , chapter 15 Mixed reality performance through ethnography / , chapter Afterword The intention of the artist and the point of view of the audience -- , Performance documentation revisited /

Additional Edition: Print version: ISBN 9781138184138

Language: English

DOI: 10.4324/9781315645384

URL: https://www.taylorfrancis.com/books/9781315645384

URL: lizenzpflichtig

URL: https://www.taylorfrancis.com/books/9781315645384

UID:

Format: ix, 207 Seiten : , Illustrationen ; , 24 cm.

Edition: First edition

ISBN: 978-1-138-18414-5 , 1-138-18414-4 , 978-1-138-18413-8 , 1-138-18413-6

Series Statement: Performance Studies/Art History Museum Studies

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-64538-4

Language: English

Subjects: General works

Keywords: Museum ; Ausstellung ; Aufführung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: ix, 207 Seiten , Illustrationen , 24 cm

ISBN: 9781138184145 , 1138184144 , 9781138184138 , 1138184136

Content: "How might we document, curate, collect, and exhibit performance? Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards. Considering the unique challenges of documenting live events including hybrid and interactive arts, games, virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays, and examines a number of interdisciplinary documentation practices which have influenced the field of performance documentation. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney. Developing from recent approaches which argue that discussions of performance should not focus purely on the live event, and that documentation should not be read solely as a process of retrospection, these chapters build a radical new framework for thinking about the relationship between performance and its documentation - and how documentation might shape ideas of what constitutes performance in the first place."--Provided by publisher. Wie können wir Performances dokumentieren, kuratieren, sammeln und ausstellen? Histories of Performance Documentation zeichnet die vielen Arten nach, in denen sich Museen in Performance-Arbeiten ab den 1960er Jahren gezeigt haben. Angesichts der einzigartigen Herausforderungen der Dokumentation von Live-Events, einschließlich hybrider und interaktiver Künste, Spiele. Diese Sammlung untersucht die aufkeimende Rolle des Performativen in der Ausstellung von Museen und untersucht eine Reihe von interdisziplinären Dokumentationspraktiken, die den Bereich der Performancedokumentation beeinflusst haben. Gabriella Giannachi und Jonah Westerman führen Interviews und Essays führender Kuratoren zusammen, Konservatoren, Künstler und Wissenschaftler von Institutionen wie MoMA, Tate, SFMOMA und Whitney, die aus aktuellen Ansätzen, die argumentieren, dass Performancediskussionen sich nicht nur auf das Live-Event konzentrieren sollten, sollten und die Dokumentation nicht nur als Rückblick lesen sollten. Ich denke darüber nach, über die Beziehung zwischen Leistung und Dokumentation zu sprechen - und darüber, wie die Dokumentation Ideen für die Leistung definieren kann. "- Vom Verlag zur Verfügung gestellt

Note: Includes bibliographical references and index

Language: English

Keywords: USA ; Großbritannien ; Niederlande ; Museum ; Ausstellung ; Aufführung ; Aufsatzsammlung

URL: Inhaltsverzeichnis