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  • 1
    Book
    Book
    New York and London : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV044336702
    Format: viii, 197 Seiten , Illustrationen
    ISBN: 9781138184589 , 1138184586
    Series Statement: Routledge advances in art and visual studies 23
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-64504-9
    Language: English
    RVK:
    RVK:
    Keywords: Biennale ; Wirtschaft ; Gesellschaft ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1794578951
    Format: 1 Online-Ressource (206 p.)
    ISBN: 9781315645049 , 9781317290834 , 9781138184589 , 9780367376680 , 9781315645049
    Series Statement: Routledge Advances in Art and Visual Studies
    Content: Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes
    Note: English
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    gbv_1697975836
    Format: 1 online resource (197 pages)
    ISBN: 9781315645049 , 9781317290810
    Series Statement: Routledge advances in art and visual studies 23
    Content: 1. Introduction : biennials, politics, critique -- 2. Histories, values and subjectivities -- 3. The biennial-form, social visions and curatorial authorship -- 4. Gaps between words and deeds, social movements and legitimacy crisis -- 5. 7th Berlin biennale : enacting dissent, forget fear and occupy -- 6. 3rd Athens biennale : reflective indeterminacy, MONODROME and the failure of the nation -- 7. Conclusion : on being contemporary.
    Additional Edition: ISBN 9781138184589
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138184589
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York, New York ; : Routledge,
    UID:
    almahu_9949602123602882
    Format: 1 online resource (198 pages) : , illustrations.
    ISBN: 9781317290834 (e-book)
    Series Statement: Routledge Advances in Art and Visual Studies
    Additional Edition: Print version: Kompatsiaris, Panos. Politics of contemporary art biennials : spectacles of critique, theory and art. New York, New York ; London, [England] : Routledge, c2017 ISBN 9781138184589
    Language: English
    Keywords: Electronic books.
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  • 5
    Online Resource
    Online Resource
    Taylor & Francis | New York :Routledge,
    UID:
    edoccha_9960055140502883
    Format: 1 online resource (198 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 1-317-29082-8 , 1-315-64504-1 , 1-317-29083-6
    Series Statement: Routledge Advances in Art and Visual Studies
    Content: Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.
    Note: 1. Introduction : biennials, politics, critique -- 2. Histories, values and subjectivities -- 3. The biennial-form, social visions and curatorial authorship -- 4. Gaps between words and deeds, social movements and legitimacy crisis -- 5. 7th Berlin biennale : enacting dissent, forget fear and occupy -- 6. 3rd Athens biennale : reflective indeterminacy, MONODROME and the failure of the nation -- 7. Conclusion : on being contemporary. , English
    Additional Edition: ISBN 0-367-37668-7
    Additional Edition: ISBN 1-138-18458-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Taylor & Francis | New York :Routledge,
    UID:
    edocfu_9960055140502883
    Format: 1 online resource (198 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 1-317-29082-8 , 1-315-64504-1 , 1-317-29083-6
    Series Statement: Routledge Advances in Art and Visual Studies
    Content: Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.
    Note: 1. Introduction : biennials, politics, critique -- 2. Histories, values and subjectivities -- 3. The biennial-form, social visions and curatorial authorship -- 4. Gaps between words and deeds, social movements and legitimacy crisis -- 5. 7th Berlin biennale : enacting dissent, forget fear and occupy -- 6. 3rd Athens biennale : reflective indeterminacy, MONODROME and the failure of the nation -- 7. Conclusion : on being contemporary. , English
    Additional Edition: ISBN 0-367-37668-7
    Additional Edition: ISBN 1-138-18458-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Taylor & Francis | New York :Routledge,
    UID:
    almahu_9949214767402882
    Format: 1 online resource (198 pages) : , illustrations.
    Edition: 1st ed.
    ISBN: 1-317-29082-8 , 1-315-64504-1 , 1-317-29083-6
    Series Statement: Routledge Advances in Art and Visual Studies
    Content: Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.
    Note: 1. Introduction : biennials, politics, critique -- 2. Histories, values and subjectivities -- 3. The biennial-form, social visions and curatorial authorship -- 4. Gaps between words and deeds, social movements and legitimacy crisis -- 5. 7th Berlin biennale : enacting dissent, forget fear and occupy -- 6. 3rd Athens biennale : reflective indeterminacy, MONODROME and the failure of the nation -- 7. Conclusion : on being contemporary. , English
    Additional Edition: ISBN 0-367-37668-7
    Additional Edition: ISBN 1-138-18458-6
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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