UID:
almahu_9949384432402882
Umfang:
1 online resource
ISBN:
1351209965
,
9781351209953
,
1351209957
,
9781351209939
,
1351209930
,
9781351209946
,
1351209949
,
9781351209960
Inhalt:
Digital Sampling is the first book about the design and use of sampling technologies that have shaped the sounds of popular music since the 1980s. Written in two parts, Digital Sampling begins with an exploration of the Fairlight CMI and how artists like Kate Bush and Peter Gabriel used it to sample the sounds of everyday life. It also focuses on E-mu Systems and the use of its keyboards and drum machines in hip-hop. The secondpart follows users across a range of musical worlds, including US/UK garage, indie folk music, and electronic music madefrom the sounds ofsewers, war zones, and crematoriums. Using material from interviews and concepts from the field of Science and Technology Studies (STS), Digital Sampling provides a new and alternative approach to the study of sampling and is crucial reading for undergraduates, postgraduates, and researchers from a wide range of disciplines, including music technology, media, communication, and cultural studies.
Anmerkung:
Part I: Instruments. Tomorrow's music today : the Fairlight CMI series I and II ; Page R and the art of the loop : the fairlight CMI series II, IIx, and III ; Technologies of hip-hop : the E-mu Emulator, SP-12, and SP-1200 -- Interlude : methodologies -- Part II: Users. Microsampling : Akufen and Todd Edwards ; Appropriation, additive approaches, and accidents : Found ; Foot pedals and folk music : King Creosote ; The sounds of everyday life (and death) : Matthew Herbert -- Conclusions -- Interviews and personal communication.
Weitere Ausg.:
Print version: Harkins, Paul (Paul Michael) author. Digital sampling New York, NY : Routledge, 2020 ISBN 9781138577510
Sprache:
Englisch
Schlagwort(e):
Electronic books.
;
Electronic books.
;
History.
URL:
https://www.taylorfrancis.com/books/9781351209960
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