UID:
edoccha_9959754304102883
Umfang:
1 online resource (175 p.)
ISBN:
1-138-85007-1
,
1-315-72498-7
,
1-317-53258-9
Inhalt:
This book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and ""minimally interpret"" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a numbe
Anmerkung:
Description based upon print version of record.
,
Cover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T. S. Eliot, "The LoveSong of J. Alfred Prufrock")
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8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico GarcíaLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke,"Sonnets to Orpheus II.13"); Index
,
English
Weitere Ausg.:
ISBN 1-138-85006-3
Weitere Ausg.:
ISBN 1-317-53259-7
Sprache:
Englisch
DOI:
10.4324/9781315724980
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