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  • 1
    Online Resource
    Online Resource
    The Cambridge companion to Bruckner (2004)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    UID:
    gbv_799481696
    Format: XXII, 303 S. , zahlr. Notenbeisp. , 25 cm
    Edition: Online-Ausg. 2011 Online-Ressource
    ISBN: 9780521804042 , 9780521008785
    Series Statement: Cambridge companions to music
    Content: This Companion provides an overview of the composer Anton Bruckner (1824–1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis
    Note: Literaturverz. S. [289] - 297 , Part I. Introduction ; A Catholic composer in the age of Bismarck , Musical life in Upper Austria in the mid-nineteenth century , Bruckner in Vienna , Part II. Choral music ; Bruckner's large sacred compositions , Bruckner and the motet , Bruckner and secular vocal music , Part III. The symphonist ; The Brucknerian symphony : an overview , Bruckner's symphonies ; a reinterpretation : a dialectic of darkness and light , Programme symphony and absolute music , Bruckner editions : the revolution revisited , Bruckner and the symphony orchestra , Between formlessness and formality : aspects of Bruckner's approach to symphonic form , Formal process as spiritual progress : the symphonic slow movements , Bruckner and harmony , Part IV. Reception ; Conductors and Bruckner , The musical image of Bruckner , Systemvoraussetzungen:
    Additional Edition: ISBN 9781139000970
    Additional Edition: Druckausg. The Cambridge companion to Bruckner Cambridge [u.a.] : Cambridge University Press, 2004 ISBN 0521008786
    Additional Edition: ISBN 0521804043
    Language: English
    Subjects: Musicology
    RVK:
    LP 63460
    RVK:
    LP 63472
    Keywords: Bruckner, Anton 1824-1896 ; Bruckner, Anton 1824-1896 ; Bibliografie ; Aufsatzsammlung
    DOI: 10.1017/CCOL9780521804042
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: http://www.loc.gov/catdir/description/cam032/2002038785.html
    URL: http://www.loc.gov/catdir/enhancements/fy0731/2002038785-b.html
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Open Access Request
    Stabi Berlin
  • 2
    Online Resource
    Online Resource
    The Cambridge companion to Bruckner (2009)
    Cambridge [u.a.] : Cambridge University Press
    Details
    UID:
    gbv_1651080712
    Format: XXII, 303 S. , Noten
    Edition: 1. publ., [Nachdr.]
    Edition: Online-Ausg. New York Cambridge Companions Online 2011 Online-Ressource Cambridge companions online
    Edition: The Cambridge companions complete collection
    Edition: The Cambridge companions to music
    ISBN: 0521008786 , 0521804043 , 9780521804042 , 9780521008785
    Series Statement: Cambridge companions to music
    Content: This Companion provides an overview of the composer Anton Bruckner (1824–1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781139000970
    Additional Edition: ISBN 9780521804042
    Additional Edition: Erscheint auch als Druck-Ausgabe The Cambridge companion to Bruckner Cambridge [u.a.] : Cambridge University Press, 2004 ISBN 0521008786
    Additional Edition: ISBN 0521804043
    Language: English
    Subjects: Musicology
    RVK:
    LP 63478
    RVK:
    LP 63460
    RVK:
    LP 63472
    Keywords: Bruckner, Anton 1824-1896 ; Bruckner, Anton 1824-1896 ; Aufsatzsammlung
    DOI: 10.1017/CCOL9780521804042
    URL: Volltext
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Online Access
    Open Access Request
    Stabi Berlin
  • 3
    Online Resource
    Online Resource
    The Cambridge Companion to Bruckner / (2004)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almahu_9947361172702882
    Format: 1 online resource (328 pages) : , digital, PDF file(s).
    ISBN: 9781139000970 (ebook)
    Series Statement: Cambridge Companions to Music
    Content: This Companion provides an overview of the composer Anton Bruckner (1824–1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
    Note: Title from publisher's bibliographic system (viewed on 11 Jan 2017).
    Additional Edition: Print version: ISBN 9780521804042
    Language: English
    URL: https://doi.org/10.1017/CCOL9780521804042
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 4
    Online Resource
    Online Resource
    The Cambridge companion to Bruckner / (2004)
    Cambridge :Cambridge University Press,
    Details
    UID:
    edocfu_9959695700502883
    Format: 1 online resource (xxii, 303 pages) : , digital, PDF file(s).
    ISBN: 1-139-81657-8 , 1-139-00097-7
    Series Statement: Cambridge companions to music
    Uniform Title: Cambridge companions online.
    Content: This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015). , A Catholic composer in the age of Bismarck / , Musical life in Upper Austria in the mid-nineteenth century / , Bruckner in Vienna / , Choral music -- , Bruckner's large sacred compositions / , Bruckner and the motet / , Bruckner and secular vocal music / , The symphonist -- , The Brucknerian symphony : an overview / , Bruckner's symphonies -- , a reinterpretation : a dialectic of darkness and light / , Programme symphony and absolute music / , Bruckner editions : the revolution revisited / , Bruckner and the symphony orchestra / , Between formlessness and formality : aspects of Bruckner's approach to symphonic form / , Formal process as spiritual progress : the symphonic slow movements / , Bruckner and harmony / , Reception -- , Conductors and Bruckner / , The musical image of Bruckner / , English
    Additional Edition: ISBN 0-521-00878-6
    Additional Edition: ISBN 0-521-80404-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    FU Berlin
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