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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_BV039666971
    Format: 1 Online-Ressource (XXXVIII, 399 Seiten) : , Notenbeispiele.
    Edition: 1. publ.
    ISBN: 9781139000987
    Series Statement: Cambridge companions to music
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 0-521-80027-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 0-521-80471-X
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Lied ; Aufsatzsammlung ; Aufsatzsammlung - Lied - Geschichte ; Aufsatzsammlung ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge University Press
    UID:
    gbv_801008050
    Format: XXXVIII, 399 S. , Notenbeisp.
    Edition: 1. publ.
    Edition: Online-Ausg. New York Cambridge Companions Online 2011 Online-Ressource Cambridge companions online
    Edition: The Cambridge companions complete collection
    Edition: The Cambridge companions to music
    ISBN: 0521800277 , 052180471X , 9780521800273 , 9780521804714
    Series Statement: Cambridge companions to music
    Content: Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015) , PART I : INTRODUCING A GENRE ; Introduction : why the Lied? , PART II : THE BIRTH AND EARLY HISTORY OF A GENRE IN THE AGE OF ENLIGHTENMENT ; The eighteenth-century Lied , PART III : THE NINETEENTH CENTURY: ISSUES OF STYLE AND DEVELOPMENT ; The Lieder of Schubert , PART IV : INTO THE TWENTIETH CENTURY ; The Lieder of Mahler and Richard Strauss , PART V : RECEPTION AND PERFORMANCE ; The circulation of the Lied : the double life of an artwork and a commodity , Literaturverz. S. [369] - 382 , In the beginning was poetry , The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven , The early nineteenth-century song cycle , Schumann : reconfiguring the Lied , A multitude of voices : the Lied at mid century , The Lieder of Liszt , The Lieder of Brahms , Tradition and innovation : the Lieder of Hugo Wolf , Beyond song : instrumental transformations and adaptations of the Lied from Schubert to Mahler , The Lied in the modern age : to mid century , The Lied in performance , Systemvoraussetzungen:
    Additional Edition: ISBN 9781139000987
    Additional Edition: ISBN 9780521800273
    Additional Edition: Erscheint auch als Druck-Ausgabe The Cambridge companion to the Lied Cambridge : Cambridge University Press, 2004 ISBN 0521800277
    Additional Edition: ISBN 052180471X
    Additional Edition: ISBN 9780521800273
    Additional Edition: ISBN 9780521804714
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Lied ; Geschichte ; Deutschland ; Kunstlied ; Geschichte ; Österreich ; Kunstlied ; Geschichte ; Schubert, Franz 1797-1828 ; Lied ; Schumann, Robert 1810-1856 ; Lied ; Liszt, Franz 1811-1886 ; Lied ; Brahms, Johannes 1833-1897 ; Lied ; Mahler, Gustav 1860-1911 ; Lied ; Strauss, Richard 1864-1949 ; Lied ; Aufsatzsammlung ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947361161202882
    Format: 1 online resource (438 pages) : , digital, PDF file(s).
    ISBN: 9781139000987 (ebook)
    Series Statement: Cambridge Companions to Music
    Content: Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
    Note: Title from publisher's bibliographic system (viewed on 11 Jan 2017).
    Additional Edition: Print version: ISBN 9780521800273
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    edocfu_9959695704902883
    Format: 1 online resource (xxxviii, 399 pages) : , digital, PDF file(s).
    ISBN: 1-139-81649-7 , 1-139-00098-5
    Series Statement: Cambridge companions to music
    Uniform Title: Cambridge companions online.
    Content: Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015). , why the Lied? / , In the beginning was poetry / , The eighteenth-century Lied / , The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven / , The Lieder of Schubert / , The early nineteenth-century song cycle / , Schumann : reconfiguring the Lied / , A multitude of voices : the Lied at mid century / , The Lieder of Liszt / , The Lieder of Brahms / , Tradition and innovation : the Lieder of Hugo Wolf / , Beyond song : instrumental transformations and adaptations of the Lied from Schubert to Mahler / , The Lieder of Mahler and Richard Strauss / , The Lied in the modern age : to mid century / , The circulation of the Lied : the double life of an artwork and a commodity / , The Lied in performance / , English
    Additional Edition: ISBN 0-521-80471-X
    Additional Edition: ISBN 0-521-80027-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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