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  • 1
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge University Press
    UID:
    gbv_800157117
    Format: XIII, 264 S. , Ill., graph. Darst., Kt., Notenbeisp.
    Edition: 1. publ.
    Edition: Online-Ausg. New York Cambridge Collections Online 2011 Online-Ressource Cambridge companions online
    Edition: The Cambridge companions complete collection
    Edition: The Cambridge companions to music
    ISBN: 0521000408 , 0521801923 , 9780521801928 , 9780521000406
    Series Statement: Cambridge companions to music
    Content: From the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.
    Content: pt. I. New guitar histories and world traditions. Picking through cultures: a guitarist's music history / Victor Anand Coelho -- Flamenco guitar: history, style, status / Peter Manuel -- The Celtic guitar: crossing cultural boundaries in the twentieth century / Christopher J. Smith -- African reinventions of the guitar / Banning Eyre. pt. II. Jazz, roots, and rock. The guitar in jazz / Graeme M. Boone -- A century of blues guitar / Jas Obrecht -- The turn to noise: rock guitar from the 1950s to the 1970s / Steve Waksman -- Contesting virtuosity: rock guitar since 1976 / Steve Waksman -- The guitar in country music / Gordon Ross. pt. III. Baroque and classical guitar today. Radical innovations, social revolution, and the baroque guitar / Craig H. Russell -- Perspectives on the classical guitar in the twentieth century / David Tanenbaum -- Antonio Stradivari and baroque guitar making / Stewart Pollens
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015) , Literaturverz. S. 249 - 251 , Systemvoraussetzungen:
    Additional Edition: ISBN 9781139002028
    Additional Edition: ISBN 9780521801928
    Additional Edition: Erscheint auch als Druck-Ausgabe The Cambridge companion to the guitar Cambridge [u.a.] : Cambridge University Press, 2003 ISBN 0521000408
    Additional Edition: ISBN 0521801923
    Language: English
    Keywords: Gitarre ; Geschichte ; Gitarrenspiel ; Geschichte ; Gitarre ; Geschichte ; Gitarrenmusik ; Musikalische Aufführungspraxis ; Geschichte ; Aufsatzsammlung ; Bibliografie
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9959695704502883
    Format: 1 online resource (xiii, 264 pages) : , digital, PDF file(s).
    ISBN: 9781139002028 (eBook)
    Series Statement: Cambridge companions to music
    Uniform Title: Cambridge companions online.
    Content: From the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015). , pt. I. New guitar histories and world traditions. Picking through cultures: a guitarist's music history / Victor Anand Coelho -- Flamenco guitar: history, style, status / Peter Manuel -- The Celtic guitar: crossing cultural boundaries in the twentieth century / Christopher J. Smith -- African reinventions of the guitar / Banning Eyre. pt. II. Jazz, roots, and rock. The guitar in jazz / Graeme M. Boone -- A century of blues guitar / Jas Obrecht -- The turn to noise: rock guitar from the 1950s to the 1970s / Steve Waksman -- Contesting virtuosity: rock guitar since 1976 / Steve Waksman -- The guitar in country music / Gordon Ross. pt. III. Baroque and classical guitar today. Radical innovations, social revolution, and the baroque guitar / Craig H. Russell -- Perspectives on the classical guitar in the twentieth century / David Tanenbaum -- Antonio Stradivari and baroque guitar making / Stewart Pollens. , English
    Additional Edition: ISBN 9780521000406 (Paperback)
    Additional Edition: ISBN 9780521801928 (Hardback.)
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947361168002882
    Format: 1 online resource (280 pages) : , digital, PDF file(s).
    ISBN: 9781139002028 (ebook)
    Series Statement: Cambridge Companions to Music
    Content: From the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.
    Note: Title from publisher's bibliographic system (viewed on 11 Jan 2017).
    Additional Edition: Print version: ISBN 9780521801928
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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