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  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9958110815902883
    Format: 1 online resource (ix, 424 pages)
    Edition: Course Book
    ISBN: 9786612157226 , 9781282157224 , 1282157221 , 9781400825301 , 140082530X
    Content: Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface -- , Acknowledgments -- , Note to the Reader -- , INTRODUCTION: Mimesis and the History of Aesthetics -- , PART I -- , PART II -- , PART III -- , Bibliography -- , Index , Issued also in print. , English
    Additional Edition: ISBN 9780691048826
    Additional Edition: ISBN 0691048827
    Additional Edition: ISBN 9780691092584
    Additional Edition: ISBN 0691092583
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    edoccha_9958110815902883
    Format: 1 online resource (ix, 424 pages)
    Edition: Course Book
    ISBN: 1-282-15722-1 , 9786612157226 , 1-4008-2530-X
    Content: Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface -- , Acknowledgments -- , Note to the Reader -- , INTRODUCTION: Mimesis and the History of Aesthetics -- , PART I -- , PART II -- , PART III -- , Bibliography -- , Index , Issued also in print. , English
    Additional Edition: ISBN 0-691-04882-7
    Additional Edition: ISBN 0-691-09258-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Princeton : Princeton University Press
    UID:
    gbv_862104696
    Format: Online-Ressource
    Edition: Online-Ausg. Online version of print publication
    ISBN: 9781282157224 , 9780691048826
    Note: Online version of print publication.
    Additional Edition: Erscheint auch als The aesthetics of mimesis
    Language: English
    URL: Volltext  (Available on EBSCOhost)
    Library Location Call Number Volume/Issue/Year Availability
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