Format:
1 online resource (xvi, 170 pages)
ISBN:
9781315085562
,
9781351541466
Series Statement:
Ashgate contemporary thinkers on critical musicology
Uniform Title:
Essays
Content:
part Part One: Music and Politics in Late Nineteenth-Century France -- chapter 1 Cette musique sans tradition: Wagner’s Tannhäuser and its French Critics -- chapter 2 Visual Pleasures – Musical Signs: Dance at the Paris Opera -- chapter 3 Oscarine and Réginette: A Comic Interlude in the French Reception of Wagne -- chapter 4 Gendering the nation's: The Ideologies of French Discourse on Music (1870–1914) -- chapter 5 Disruptive Histories: Telling the Story of Modem Music in France -- part Part Two: Musical Identities in the United States in the 1930s and ’40s -- chapter 6 Aaron Copland, Nadia Boulanger, and the Making of an ‘American’ Composer -- chapter 7 ‘‘Presenting a Great Truth’’: William Grant Still’s Afro-American Symphony (1930) -- chapter 8 ‘‘Dixie Carmen’’: War, Race, and Identity in Oscar Hammerstein’s Carmen Jones (1943) -- part Part Three: Gender Politics in Music -- chapter 9 Rheinsirenen Loreley and Other Rhine Maidens -- chapter 10 Creating Madame Landowska -- chapter 11 La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics -- chapter 12 Composing as a Catholic: Rereading Lili Boulanger’s Vocal Music -- chapter 13 Lili Boulanger’s La princesse Maleine: A Composer and her Heroine as Literary Icons.
Note:
Includes bibliographical references
Additional Edition:
ISBN 9781472425782
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 9781472425782
Language:
English
DOI:
10.4324/9781315085562
Author information:
Fauser, Annegret 1963-
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