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  • 1
    UID:
    gbv_1697905722
    Format: 1 online resource (221 p.).
    ISBN: 9781351594882 , 1351594885 , 9781315103372 , 1315103370 , 9781351594875 , 1351594877 , 9781351594868 , 1351594869
    Series Statement: Ashgate Interdisciplinary Studies in Opera
    Additional Edition: ISBN 9781138102897
    Additional Edition: ISBN 113810289X
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781138102897
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge, an imprint of the Taylor & Francis Group,
    UID:
    almahu_9949383747702882
    Format: 1 online resource (221 pages)
    ISBN: 9781351594882 , 1351594885 , 9781315103372 , 1315103370 , 9781351594875 , 1351594877 , 9781351594868 , 1351594869 , 9781138102897 , 113810289X
    Series Statement: Ashgate Interdisciplinary Studies in Opera
    Content: On 10 December 1910, Giacomo Puccini's seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City's Metropolitan Opera House. The performance was the Metropolitan Opera Company's first world premiere by any composer. By all accounts, the premiere was an unambiguous success and the event itself recognized as a major moment in New York cultural history. The initial public opinion matched Puccini's own evaluation of his opera. He called it "the best he had ever written" and expected it to become as popular as La Bohme. Yet the music reviews tell a different story. Marked by ambivalence, the reviews expose the New York City critics' struggle to reconcile the opera they expected to see with the one they actually saw, and the opera itself became embroiled in controversy over the essence of musical Americanness and the nativist perception that a uniquely American national opera tradition continued to elude both American- and foreign-born opera composers. This book seeks to account for the differences between Puccini's own assessments of the opera and those of its first audience. Offering transcriptions of the central reviews and of letters unavailable elsewhere, the book provides a historically informed understanding of La fanciulla del West and the reception of this European work as it intersected with both opera production and consumption in the United States and with the process of American musical identity formation during the very period that Americans actively sought to eradicate European cultural influences. As such, it offers a window into the development of nativism and "cosmopolitan nationalism" in New York City's musical life during the first decade of the twentieth century.
    Additional Edition: Print version: Fenton, Kathryn M. Puccini's la Fanciulla Del West and American Musical Identity. Milton : Routledge, ©2019 ISBN 9781138102897
    Language: English
    Keywords: Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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