Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (viii, 351 pages)

Edition: First edition.

ISBN: 9781315113173 , 1315113171 , 9781351624220 , 1351624229

Uniform Title: Mixen met impact.

Note: "Previously published in Dutch by Edusonic, 2016." , Chapter 1 The World of Mixing -- , About the Profession and This Book / , chapter 2 Listening -- , Everything Is Relative / , chapter 3 Laying the Foundation -- , Creating a Starting Position / , chapter 4 The Frequency Spectrum -- , No Light without Darkness / , chapter 5 Dynamics -- , Without Soft There Is No Loud / , chapter 6 Space -- , There's More Room than You Think / , chapter 7 Time and Phase -- , It's All About the Sum of the Parts / , chapter 8 Identity -- , A Unique Sound / , chapter 9 Effects -- , Craziness with a Purpose / , chapter 10 Automation -- , Performing the Mix / , chapter 11 Advanced Techniques -- , Exploring the Boundaries / , chapter 12 Bus Compression -- , The Sum of the Parts / , chapter 13 Templates -- , Working Faster Means a Better Mix / , chapter 14 Preparing for Mastering -- , A Good Relationship / , chapter 15 Mindset -- , A Competition against Yourself / , chapter 16 The Outside World -- , Sound Engineering Means Working for Others / , chapter 17 Tools -- , Preconditions for Mixing Reliably / , chapter Recommended Literature /

Additional Edition: Print version: ISBN 9781138080881

Additional Edition: ISBN 9781138080898

Language: English

DOI: 10.4324/9781315113173

URL: https://www.taylorfrancis.com/books/9781315113173

URL: lizenzpflichtig

UID:

Format: 1 online resource (338 pages) : , illustrations.

Edition: First edition.

ISBN: 9781351624237 , 1351624237 , 9781138080881 , 1138080888 , 1138080896 , 9781138080898

Series Statement: A Focal Press Book

Content: "In Mixing with Impact: Learning to Make Musical Choices, Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether youre a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same. The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audiences attention? Why doesnt your mix sound as good as someone elses? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? Whats the difference between one compressor and another?Following a clear structure, this book covers these and many other questions, bringing you closer and closer to answering the most important question of all: how do you tell a story with sound?"--Provided by publisher.

Note: The World of Mixing: About the Profession of This Book -- Listening: Everything Is Relative -- Laying the Foundation : Creating a Starting Position -- The Frequency Spectrum: No Light without Darkness -- Dynamics: Without Soft There Is No Loud -- Space: There's More Room than You Think -- Time and Phase: It's All About the Sum of the Parts -- Identity: A Unique Sound -- Effects: Craziness with a Purpose -- Automation: Performing the Mix -- Advanced Techniques: Exploring the Boundaries -- Bus Compression: The Sum of the Parts -- Templates: Working Faster Means a Better Mix -- Preparing for Mastering: A Good Relationship -- Mindset: A Competition against Yourself -- The Outside World: Sound Engineering Means Working for Others -- Tools: Preconditions for Mixing Reliably.

Language: English

URL: https://www.taylorfrancis.com/books/9781315113173