UID:
almahu_9949384826702882
Format:
1 online resource
ISBN:
9781317234067
,
1317234065
,
9781315626123
,
1315626128
,
9781315626123
,
9781317234043
,
1317234049
Note:
Chapter Introduction /
,
chapter 1 Drag, Rock, Authenticity and In-Betweenness --
,
Hedwig and the Angry Inch /
,
chapter 2 All That Jazz --
,
The difficult journey of Chicago from stage to screen /
,
chapter 3 Ready for His Close-Up --
,
From horror to romance in The Phantom of the Opera /
,
chapter 4 'Bohemia is Dead' --
,
Rent celebrating life in the face of death /
,
chapter 5 Where Did We Go Right (And Wrong)? --
,
Success and failure in the adaptations of The Producers from and to the screen /
,
chapter 6 'Big, as in Large, as in Huge' --
,
Dreamgirls and difference in the performance of gender, blackness, and popular music history /
,
chapter 7 At the Intersection of Music, Sexuality and Race --
,
Hairspray's generic and aesthetic variances /
,
chapter 8 'With a Bit of Rock Music, Everything is Fine' --
,
Mamma Mia! and the camp sensibility on screen /
,
chapter 9 8½ to Nine to Nine --
,
Evolutions of a cinema classic /
,
chapter 10 'You Wanna Hear the Real Story?' --
,
(Mis)remembering masculinity in Clint Eastwood's adaptation of Jersey Boys /
,
chapter 11 The Ethical Exculpation of Moral Turpitude --
,
Representations of violence and death in Sweeney Todd and Into the Woods /
,
chapter 12 The Last Five Years --
,
Medium, mode and the making of Cathy /
,
chapter 13 The Trouble with 'Little Girls' --
,
Annie on the big (and small) screen /
,
chapter 14 London Road --
,
The 'irruption of the real' and haunting utopias in the verbatim musical /
,
chapter Conclusions /
Additional Edition:
Print version: Rodosthenous, George, 1973- Twenty-first century musicals. Abingdon, Oxon ; New York, NY : Routledge, 2017 ISBN 9781138648906
Language:
English
Keywords:
Electronic books.
;
Electronic books.
;
Criticism, interpretation, etc.
;
Electronic books
URL:
https://www.taylorfrancis.com/books/9781315626123
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