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  • 1
    Buch
    Buch
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury,
    UID:
    almafu_BV044240091
    Umfang: xii, 284 Seiten.
    ISBN: 978-1-3500-0096-4
    Serie: Methuen drama engage
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-3500-0097-1
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-3500-0098-8
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): Englisch ; Drama ; Authentizität
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    gbv_1689045884
    Umfang: 1 Online-Ressource (xii, 284 pages)
    ISBN: 9781350000995
    Serie: Methuen Drama engage
    Inhalt: Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth
    Anmerkung: Includes bibliographical references and index , Previously issued in print: London: Bloomsbury Methuen Drama, 2017. Digital resource published 2018 , Zielgruppe - Audience: Specialized
    Weitere Ausg.: ISBN 9781350000964
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9781350000964
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    London, England : Bloomsbury Methuen Drama | London, England : Bloomsbury Publishing
    UID:
    gbv_189531206X
    Umfang: 1 Online-Ressource (xii, 284 pages)
    Ausgabe: Also published in print
    ISBN: 9781350000995
    Serie: Methuen Drama engage
    Inhalt: "Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulze argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday"--
    Anmerkung: Includes bibliographical references (page [261]-279) and indexes , 1. In search of authenticity -- 2. Intimate theatre -- 3. Immersive theatre -- 4. Documentary theatre -- 5. An ending. , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781350000988
    Weitere Ausg.: ISBN 9781350000964
    Weitere Ausg.: ISBN 1350000965
    Weitere Ausg.: ISBN 9781350000971
    Weitere Ausg.: ISBN 1350000981
    Weitere Ausg.: ISBN 1350000973
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    London, England :Bloomsbury Methuen Drama,
    UID:
    edocfu_9960177662102883
    Umfang: 1 online resource (297 pages).
    ISBN: 1-350-08665-7 , 1-350-00097-3
    Serie: Methuen Drama Engage
    Inhalt: Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences. It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.--publisher.
    Anmerkung: Description based upon print version of record.
    Weitere Ausg.: ISBN 1-350-00096-5
    Weitere Ausg.: ISBN 1-350-00098-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    London, England :Bloomsbury Methuen Drama,
    UID:
    almafu_9960177662102883
    Umfang: 1 online resource (297 pages).
    ISBN: 1-350-08665-7 , 1-350-00097-3
    Serie: Methuen Drama Engage
    Inhalt: Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences. It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.--publisher.
    Anmerkung: Description based upon print version of record.
    Weitere Ausg.: ISBN 1-350-00096-5
    Weitere Ausg.: ISBN 1-350-00098-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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