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  • 1
    Online Resource
    Online Resource
    London : The Arden Shakespeare/Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1041251920
    Format: 1 Online-Ressource (xii, 207 pages)
    Edition: 2014
    ISBN: 9781350017238 , 9781350017221 , 9781350017214
    Series Statement: Arden studies in early modern drama
    Content: "What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of the fictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor."--Bloomsbury Publishing
    Content: Introduction: disability and/as theatricality -- The work of standing and of standing-for: disability, movement, theatrical personation in The fair maid of the exchange -- The sound of prosthetic movement: transnational and temporal analogy in A larum for London -- "Faustus has his legge again": truncation and prosthesis, theatricality and bibliography in Doctor Faustus -- Richard's "giddy footing": degree of difference and cyclical movement in Shakespeare's Richard III
    Note: Includes bibliographical references (p. 194-207) and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350017207
    Additional Edition: Erscheint auch als Druck-Ausgabe Love, Genevieve Early modern theatre and the figure of disability London : The Arden Shakespeare, 2019 ISBN 9781350017207
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: England ; Drama ; Behinderung ; Geschichte 1558-1603
    URL: Volltext  (lizenzpflichtig)
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