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  • 1
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic,
    UID:
    almahu_9949203660502882
    Umfang: 1 online resource (viii, 240 pages) : , illustrations.
    Ausgabe: First edition.
    Ausgabe: Electronic reproduction. London : Bloomsbury Publishing, 2019. Available via World Wide Web.
    Ausgabe: Access limited by licensing agreement.
    ISBN: 9781350042001
    Serie: Aesthetics and contemporary art
    Inhalt: "In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today."--Bloomsbury Publishing.
    Anmerkung: Acknowledgements -- Introduction -- Prolegomenon -- 1. Critical Art and Aesthetics within China and EuroAmerica before Modernism -- 2. Modernisms within and outside China -- 3. Postmodernisms and Contemporaneity within and outside China -- 4. Case Study: The Work of Zhang Peili and the Pond Association (Chi she) -- Conclusion: Towards a Critical Contemporaneity -- Notes -- Bibliography -- Index. , Also issued in print.
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic,
    UID:
    edocfu_9960963583602883
    Umfang: 1 online resource (249 pages)
    Ausgabe: First edition.
    ISBN: 1-350-04200-5 , 1-350-04198-X
    Serie: Aesthetics and contemporary art
    Inhalt: "In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today."--Bloomsbury Publishing.
    Anmerkung: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. , Acknowledgements -- Introduction -- Prolegomenon -- 1. Critical Art and Aesthetics within China and EuroAmerica before Modernism -- 2. Modernisms within and outside China -- 3. Postmodernisms and Contemporaneity within and outside China -- 4. Case Study: The Work of Zhang Peili and the Pond Association (Chi she) -- Conclusion: Towards a Critical Contemporaneity -- Notes -- Bibliography -- Index. , Also issued in print.
    Weitere Ausg.: ISBN 1-350-04197-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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