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  • 1
    Online Resource
    Online Resource
    London ; New York :Bloomsbury Academic, | London :Bloomsbury Publishing,
    UID:
    almahu_BV048393759
    Format: 1 Online-Ressource (x, 199 Seiten).
    Edition: First edition
    Edition: 2019
    ISBN: 978-1-350-10137-1 , 978-1-4725-9291-0 , 978-1-4725-9292-7
    Content: "Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means."--Bloomsbury Publishing
    Content: Acknowledgements -- Part One: Fundamentals Chapter 1: Introduction: The Techne Standpoint -- Chapter 2: Art and Evolution -- Chapter 3: The Artist's Touch -- Part Two: Origins in Greek Philosophy Chapter 4: How Plato (Despite Himself) Invented Techne Theory -- Chapter 5: From Aristotle to Extended Mind -- Part Three: Where Do Poems Come From? Chapter 6: A Romantic View: Seamus Heaney -- Chapter 7: Excursus on the Nature of Language -- Chapter 8: An Anti-Romantic View: Paul Valéry -- Part Four: Studies in Modernist Techne Chapter 9: T. J. Clark's Picasso -- Chapter 10: What's Radical About Radical Painting? -- Chapter 11: The Techne of Kafka's Metamorphosis -- Part Five: Techne Metatheory Chapter 12: Universal Design Space and the Lines of Force -- Bibliography -- Index
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. - Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4725-9289-7
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Kunstproduktion ; Literaturproduktion ; technē ; Ästhetik ; Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London :Bloomsbury Academic,
    UID:
    edocfu_9960800264102883
    Format: 1 online resource (217 pages)
    ISBN: 1-4725-9292-1 , 1-4725-9291-3
    Note: Cover -- Half Title -- Dedication -- Series Page -- Title Page -- Contents -- Acknowledgements -- Part One Fundamentals -- Chapter One The techne standpoint -- Chapter Two Art and evolution -- Evolution of the work of art -- Production according to techne -- Hadamard's essay -- Creation and the 'combination of ideas' -- Chapter Three The artist's touch -- The artist's touch -- Intuiting the techne-limit -- Techne-in-general -- Part Two Greek origins -- Chapter Four How Plato (despite himself) invented techne theory -- Techne and physis -- Looking towards the form -- The doctrine of use -- Chapter Five From Aristotle to extended mind -- Those stubborn forms -- Soul, hand, tool -- The birth of tragedy, according to Aristotle -- Techne in an archaeological light -- Flexible forms -- Part Three Where do poems come from? -- Chapter Six A Romantic view: Seamus Heaney -- The unresolved puzzle -- Inseminating the poem-egg -- The example of Wordsworth -- Earthworm knowledge -- Chapter Seven Excursus on language -- Chapter Eight An anti-Romantic view: Paul Valéry -- Musicalized states and dreamsongs -- Intrasomatic inspiration -- Slow and quick creation -- Interior universes -- Part Four Studies in modernist techne -- Chapter Nine T. J. Clark's Picasso -- The road to Guernica -- Integration of the outside -- The culminating challenge -- The movement towards form -- Chapter Ten What's radical about radical painting? -- Deducing the functional essence -- The importance of Ryman -- How Marioni does it -- The body of light -- Intimate relations -- Chapter Eleven The techne of Kafka's Metamorphosis -- The narrative voice -- Gregor's voice, or narrator's voice? -- Gregor and his family -- The judgment -- The unknown nourishment -- Part Five Techne metatheory -- Chapter Twelve Universal design space and the lines of force -- Emergent design. , Adjacency in design space -- Lines of force -- Finding 'join' -- Situated subjects in technosocial design space -- Self-organizing forms -- Index -- Copyright Page.
    Additional Edition: ISBN 9781350101371
    Additional Edition: ISBN 1-4725-9290-5
    Additional Edition: ISBN 1-4725-9289-1
    Language: English
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  • 3
    Book
    Book
    London : Bloomsbury Academic
    UID:
    gbv_1666621447
    Format: ix, 199 Seiten , 24 cm
    ISBN: 9781472592897 , 9781472592903
    Additional Edition: ISBN 9781472592827
    Additional Edition: ISBN 9781472592910
    Additional Edition: Erscheint auch als Online-Ausgabe Staten, Henry, 1946 - Techne theory London : Bloomsbury Academic, 2019 ISBN 9781350101371
    Additional Edition: ISBN 9781472592910
    Additional Edition: ISBN 9781472592927
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Kunstproduktion ; Literaturproduktion ; technē ; Ästhetik
    Library Location Call Number Volume/Issue/Year Availability
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