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  • 1
    Online Resource
    Online Resource
    London : Bloomsbury Publishing
    UID:
    gbv_181902394X
    Format: 1 Online-Ressource (176 Seiten) , Illustrationen
    ISBN: 9781350170995 , 9781350170988 , 9781501368530
    Content: "What does it mean, in a polarized political climate, that feminism is popular in mainstream pop? Engaging with feminist theory and previous research about gender and music, this book investigates the meaning of current trends relating to gender, feminism and woman-identified artists in mediated popular music. The examples discussed throughout the book include Beyoncé's concert documentary Homecoming, the Swedish music industry #MeToo petition signed by 2,192 artists, the television show Star and the functions of a music streaming service. The volume discusses the media specificity of the different examples; introduces and explains feminist theories and concepts; and analyses the position of women, gender equality and feminism in mainstream pop music today"--
    Note: Includes bibliographical references and index , Acknowledgements -- Introduction -- 1. Mediating the feminist superstar: Beyoncé, Lady Gaga and Taylor Swift in Netflix documentaries -- 2. Narratives of gender and feminist politics in a music industry #MeToo petition -- 3. Gender equality, diversity, and algorithmic culture in music streaming -- 4. Keychange: Gender equality work in the popular music industries -- Conclusion -- References -- Index. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350170971
    Additional Edition: ISBN 9781350228832
    Additional Edition: ISBN 9781501368509
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London [England] : Methuen Drama | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1895306264
    Format: 1 Online-Ressource (240 pages)
    Edition: First edition
    ISBN: 9781350171008 , 9781350170988
    Content: "This is the first collection of primary sources that addresses the amateur theatre produced by the workers in the first decade after the Russian Revolution. Newly translated from the Russian, the essays capture both theoretical articulations on the scene -- by luminaries such as Alexander Bogdanov, Platon Kerzhentsev, Valerian Pletnev, Alexander Mgebrov and Valentin Smyshliaev -- and the more fleeting descriptions and first-hand accounts of the productions staged, accounts and voices which are typically harder to capture. The essays tell a story of unabashed optimism in the creativity of the working classes. They speak of the use of theatre to carve a public and political role in the construction of a new world. The sources, however, also exhibit the flipside of the scene, or the sombre difficulties faced by the amateur actors and the incessant calls to raise standards through professional help. The narrative developed is that of an amateur theatre which began as an autonomous and heterogeneous activity but which by the mid-to-late 1920s was transformed into a regulated practice and a space for cultural programming. The collection makes an important contribution to our understanding of modern theatre: scholarship conventionally tackles the canonical names from the professional world but gives little attention to the more down-to-earth forms of performance taking place in factories, clubs and amateur circles. An introductory essay also highlights the range and significance of the collection and draws links between the essays."--
    Note: Translated from the original Russian into English , Part 1. Aims and objectives. 1. 'The Proletariat and art', 1918 / Anatoly Lunacharsky Proletarskaia kul'tura , no. 2, pp. 23-24 ; 2. 'The Proletariat and art', 1918 Resolutions proposed at the first all-Russian Conference of Proletarian Cultural and Educational Organizations / Alexander Bogdanov Proletarskaia kul'tura , no. 5, page unidentified ; 3. 'The Proletkult and Soviet cultural work', 1919 ; Anatoly Lunacharsky Proletarskaia kul'tura , no. 7-8, pp. 1-3 ; 4. 'Ways towards a Proletarian culture', 1920 / Alexander Bogdanov Proletarskaia kul'tura , no. 15-16 ; 5. 'The Proletkult -- organisation of Proletarian amateur performance', 1918 / Platon Kerzhentsev Proletarskaia kul'tura , no. 1, pp. 7-8 ; 6. 'Craving the stage', 1919 / Nikolai Lvov Vestnik teatra , 56, p. 8 ; 7. 'Socialist theatre in the years of the revolution', 1919 / Piotr Kogan Vestnik teatra , 40, pp. 3-4 ; 8. 'No to theatre art, but to celebration', 1921 / Adrian Piotrovsky Zhizn ' iskusstva, 19-22 March, 1921, page unidentified ; 9. 'Drama and mass performances', 1921 / Viktor Shklovsky Zhizn ' iskusstva , 9-11 March, 1921, page unidentified -- Part 2. Amateur-professional relations 10. 'On the professionalization of the workers in the arts', 1919 / Fyodor Kalinin Proletarskaia kul'tura , no. 7-8, pp. 29-31 ; 11. 'On professionalism', 1919 / Valerian Pletnev Proletarskaia kul'tura , no. 7-8, pp. 31-37 ; 12. The creation of the Proletarian theatre, 1923 / Platon Kerzhentsev An extract from Tvorcheskii teatr , pp. 75--- 88 Part 3 Repertoire issues. 13. Repertoire at a factory theatre, [1918] / Alexander Mgebrov An extract from Zhizn' v teatre tom 2, pp. 302-06 ; 14. 'The repertoire of the Proletarian theatre', 1918 / Platon Kerzhentsev Iskusstvo , no. 1 (5), pp. 5-7 ; 15. Notes on Pavel Bessalko's The bricklayer, [1918] / Alexander Mgebrov An extract from Zhizn' v teatre tom 2 , pp. 420-33 ; 16. 'Adapt the plays!', 1919 / Platon Kerzhentsev Vestnik teatra , no. 36, pp. 6-8 ; 17. Garland's inheritance , 1923 / Valerian Pletnev An extract from the play, Act 1, pp. 5-17 ; 18. They tried to hide, but ended up fathers, 1924 / Arkhip Rabochii klub , no. 5, pp. 34-37 -- Part 4. Production approaches and examples. 19. 'After the holiday', 1918 / Platon Kerzhentsev Iskusstvo , no. 6, pp. 3-5 ; 20. Performances during the Civil War, [1919] / Alexander Mgebrov An extract from Zhizn' v teatre tom 2, pp. 365-71 ; 21. Collective readings, [1918-19] / Alexander Mgebrov An extract from Zhizn' v teatre tom 2 ; 22. 'Collective creation in the theatre', 1919 / Platon Kerzhentsev Proletarskaia kul'tura , no. 7-8, pp. 37-41. ; 23. 'Strife between the arts', 1919 / Platon Kerzhentsev Vestnik teatra , no. 19, p. 2. ; 24. 'On futurism', 1919 / Fyodor Kalinin Proletarskaia kul'tura ,no. 7-8, pp. 41-3 ; 25. 'Creative play. The improvisation method of N. Skarskaia', 1919 / Pavel Gaideburov VO, no. 6-8, pp. 36-40 ; 26. 'Experiment in the staging of Émile Verhaeren's Poem insurrection ', 1919 / Valentin Smyshlaev Gorn , no. 2-3, pp. 82-90 ; 27. The results of the new theatre, 1923 / Platon Kerzhentsev An extract from Tvorcheskii teatr , pp. 123-36 ; 28. The Proletarian actor, 1922 / Valentin Tikhonovich An extract from the essay 'Proletarian Theatre', originally published in O Teatre, a book edited by V. Blum, E. Beskin, B. Ferdinand, A. Gan, I. Aksenov, V. Tikhonovich, M. Zagorsky, B. Arvatov, O. Blum, V. Rappaport, L. Sabaneyev, O Teatre, pp. 89-96 ; 29. 'The dramatisation of a living newspaper', 1924 / Moscow Proletkult An essay from the volume Iskusstvo v rabochem klube , pp. 66-71 ; 30. 'On staging agit-trials', 1924 / Moscow Proletkult An essay from the volume Iskusstvo v rabochem klube , pp. 96-99 ; 31. 'Club stage -- Competition of living newspapers', 1927 / N.N.V Rabochii i teatr , no. 15, pp. 16-17 -- Part 5. Training. 32. 'On the work of the theatre department of the Moscow Proletkult', 1918 / Valentin Smyshlaev Gorn , no. 1, p. 54 ; 33. Dramatic laboratories, 1923 / Platon Kerzhentsev An extract from Tvorcheskii teatr , pp. 88-94 ; 34. 'A unified studio of the arts', 1924 / Moscow Proletkult An essay from the volume Iskusstvo v rabochem klube , pp. 9-16 ; 35. 'On theatre work at the clubs', 1924 / Moscow Proletkult An essay from the volume Iskusstvo v rabochem klube , pp. 17-24 -- Epilogue. Sections from N. Evreinov's intervention during the conference on theatre organised by the Agitprop Division of the Communist Party, 1927. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350228832
    Additional Edition: ISBN 9781350170971
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350228832
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Dehli ; Sydney :Methuen Drama,
    UID:
    almafu_BV047292467
    Format: 1 Online-Ressource (xii, 220 Seiten).
    ISBN: 978-1-3501-7098-8 , 978-1-3501-7099-5
    Content: "This is the first collection of primary sources that addresses the amateur theatre produced by the workers in the first decade after the Russian Revolution. Newly translated from the Russian, the essays capture both theoretical articulations on the scene - by luminaries such as Alexandr Bogdanov, Platon Kerzhentsev, Valerian Pletnev, Alexander Mgebrov, and Valentin Smyshliaev - and the more fleeting descriptions and first-hand accounts of the productions staged, accounts and voices which are typically harder to capture. The essays tell a story of unabashed optimism in the creativity of the working classes. They speak of the use of theatre to carve a public and political role in the construction of a new world. The sources, however, also exhibit the flipside of the scene, or the sombre difficulties faced by the amateur actors and the incessant calls to raise standards through professional help. The narrative developed is that of an amateur theatre which began as an autonomous and heterogeneous activity but which by the mid-to-late 1920s was transformed into a regulated practice and a space for cultural programming. The collection makes an important contribution to our understanding of modern theatre: scholarship conventionally tackles the canonical names from the professional world but gives little attention to the more down-to-earth forms of performance taking place in factories, clubs, and amateur circles. An introductory essay also highlights the range and significance of the collection and draws links between the essays"--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3501-7097-1
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Laienspiel ; Arbeiter
    Library Location Call Number Volume/Issue/Year Availability
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