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  • 1
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1755418477
    Umfang: 1 Online-Ressource
    Ausgabe: First edition
    Ausgabe: Also published in print
    ISBN: 9781350182417 , 9781350182394 , 9781350182400 , 9781350182370 , 1350182397 , 9781350182387
    Inhalt: The politics of visibility : Lurie and Ranciere -- Art and the mining of diamonds : Kentridge, Modisakeng and what is meant by politics -- The politics of the witness : Georges Gittoes -- Virulent nationalism and the politics of offense : the NEA -- Literature and the politics of the Truth Commission : Dorfman and Coetzee -- Identity politics in a consumerist world -- Art market politics : Manet to Banksy -- Autonomy as negotiation : Mozart reconsidered -- Film, the individual and the collective.
    Inhalt: "Visual art has a ubiquitous political cast today. But which politics? Daniel Herwitz seeks clarity on what is meant by politics, and how we can evaluate its presumption or aspiration in contemporary art. Drawing on the work of William Kentridge, drenched in war, violence and race and the artworld immolations of Bansky, Herwitz's examples range from the NEA 4 and the question of offense-as-dissent, to M.F. Husain and the Hindu nationalist Indian right wing. He is interested in understanding art practices today in the light of two opposing inheritances: the avant-gardes and their politicization of the experimental art object, and apolitical 18th-century aesthetics. His historically-informed approach reveals how crucial this pair of legacies is to reading the tensions in voice and character of art today. Driven by questions about the capacity of the visual medium to speak politically or acquire political agency , Hertwitz's book is for anyone working in aesthetics or the art world concerned with the fate of cultural politics in a world spinning out of control, yet within reach of emancipation"--
    Anmerkung: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781350182387
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Herwitz, Daniel Alan, 1955- The political powers of visual art London ; New York : Bloomsbury Academic, 2021
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic, | [London, England] :Bloomsbury Publishing,
    UID:
    almahu_9948686775502882
    Umfang: 1 online resource.
    Ausgabe: First edition.
    ISBN: 9781350182417 , 9781350182394
    Inhalt: "Visual art has a ubiquitous political cast today. But which politics? Daniel Herwitz seeks clarity on what is meant by politics, and how we can evaluate its presumption or aspiration in contemporary art. Drawing on the work of William Kentridge, drenched in war, violence and race and the artworld immolations of Bansky, Herwitz's examples range from the NEA 4 and the question of offense-as-dissent, to M.F. Husain and the Hindu nationalist Indian right wing. He is interested in understanding art practices today in the light of two opposing inheritances: the avant-gardes and their politicization of the experimental art object, and apolitical 18th-century aesthetics. His historically-informed approach reveals how crucial this pair of legacies is to reading the tensions in voice and character of art today. Driven by questions about the capacity of the visual medium to speak politically or acquire political agency , Hertwitz's book is for anyone working in aesthetics or the art world concerned with the fate of cultural politics in a world spinning out of control, yet within reach of emancipation"--
    Anmerkung: The politics of visibility : Lurie and Ranciere -- Art and the mining of diamonds : Kentridge, Modisakeng and what is meant by politics -- The politics of the witness : Georges Gittoes -- Virulent nationalism and the politics of offense : the NEA -- Literature and the politics of the Truth Commission : Dorfman and Coetzee -- Identity politics in a consumerist world -- Art market politics : Manet to Banksy -- Autonomy as negotiation : Mozart reconsidered -- Film, the individual and the collective. , Also published in print. , Mode of access: World Wide Web.
    Weitere Ausg.: Print version: Herwitz, Daniel Alan, 1955- The political powers of visual art London ; New York : Bloomsbury Academic, 2021. ISBN 9781350182387
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    London : $nBloomsbury Academic
    UID:
    gbv_173837369X
    Umfang: 204 Seiten , Illustrationen
    ISBN: 9781350182387 , 9781350182370
    Inhalt: The politics of visibility : Lurie and Ranciere -- Art and the mining of diamonds : Kentridge, Modisakeng and what is meant by politics -- The politics of the witness : Georges Gittoes -- Virulent nationalism and the politics of offense : the NEA -- Literature and the politics of the Truth Commission : Dorfman and Coetzee -- Identity politics in a consumerist world -- Art market politics : Manet to Banksy -- Autonomy as negotiation : Mozart reconsidered -- Film, the individual and the collective.
    Inhalt: "Visual art has a ubiquitous political cast today. But which politics? Daniel Herwitz seeks clarity on what is meant by politics, and how we can evaluate its presumption or aspiration in contemporary art. Drawing on the work of William Kentridge, drenched in war, violence and race and the artworld immolations of Bansky, Herwitz's examples range from the NEA 4 and the question of offense-as-dissent, to M.F. Husain and the Hindu nationalist Indian right wing. He is interested in understanding art practices today in the light of two opposing inheritances: the avant-gardes and their politicization of the experimental art object, and apolitical 18th-century aesthetics. His historically-informed approach reveals how crucial this pair of legacies is to reading the tensions in voice and character of art today. Driven by questions about the capacity of the visual medium to speak politically or acquire political agency , Hertwitz's book is for anyone working in aesthetics or the art world concerned with the fate of cultural politics in a world spinning out of control, yet within reach of emancipation"--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9781350182400
    Weitere Ausg.: ISBN 9781350182394
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Herwitz, Daniel Alan, - 1955- The political power of visual art London : Bloomsbury Academic, 2020 ISBN 9781350182417
    Weitere Ausg.: ISBN 9781350182394
    Weitere Ausg.: ISBN 9781350182400
    Weitere Ausg.: ISBN 9781350182370
    Weitere Ausg.: ISBN 1350182397
    Weitere Ausg.: ISBN 9781350182387
    Sprache: Englisch
    RVK:
    Schlagwort(e): Kunst ; Politik ; Macht
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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