Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Access
  • 1
    Online Resource
    Online Resource
    London :Bloomsbury Visual Arts,
    UID:
    almahu_BV047620387
    Format: 1 Online-Ressource (x, 232 Seiten) : , Illustrationen.
    ISBN: 978-1-350-21140-7 , 978-1-350-21138-4
    Content: "This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term ‘mixed form’ for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called ‘mixed reality’, the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book’s chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists’ scrapbooks. The book is richly illustrated throughout."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-350-21137-7
    Language: English
    RVK:
    RVK:
    Keywords: Raritätenkammer ; Chapbook ; Einklebebuch ; Collage ; Assemblage ; Mixed media ; History
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    London [England] : Bloomsbury Visual Arts | [London, England] : Bloomsbury Publishing
    UID:
    gbv_178237261X
    Format: 1 Online-Ressource (272 pages) , illustrations
    Edition: First edition
    ISBN: 9781350211407 , 9781350211391
    Content: List of Illustrations -- Introduction: Mixtures of all sorts -- 1. The cabinet of curiosities as mixed-form: depictions and desire -- 2. Mixed-form in working life: the rise of manufacture -- 3. Popular mixed-forms in a long eighteenth century: from the broadside ballad to the chapbook -- 4. Visual essay -- 5. Mixed-form and modernism in the visual arts: assemblage and assembly lines -- 6. Visual essay -- 7. Digital culture as Wunderkammer Conclusion: A synthesis of sorts -- Bibliography
    Content: "Notions of consistency, unity and harmony have long been ideals in Western culture. These values persisted throughout the Renaissance and Neo-Classical period (the seventeenth century), even with the emergence of the cult of individualism. Today, as much as they continue to be prescriptions for art, they also inform judgements made about everything from behaviour to the output of production lines and require these things to be consistent. With the emergence of Western empires and industrialisation however, we conversely see a set of cultural practices emerge that are informed by a very different value; that of the traditionally dismissed heterogeneous. This book looks at key instances throughout visual culture where this structure has been used and coins the term 'mixed-form' for them. Addressing the other side of formal unity it looks at phenomenona like the miscellany, the collage and the anthology and archival structures such as the cabinet of curiosities and the scrapbook and compares them to their digital descendants such as the weblog and platforms such as Pinterest. By doing so, the book explores an under researched area of visual culture, that of the mixed form. Mixed Forms of Visual Culture also discusses the reasons for the appearance of the mixed form and traces it back to the Marxist understanding of the 'division of labour' in industrial society and to Marxist accounts of post-industrial production. The book's underlying theme is the value of critically reviewing received wisdom. Presenting a history of its key term that starts with the inception of commodity culture in the sixteenth century, the book proposes that, as working life becomes increasingly defined by qualities such as singularity and uniformity, the need for the opposite finds expression in cultural form."--
    Note: Includes bibliographical references , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350211414
    Additional Edition: ISBN 9781350211377
    Additional Edition: ISBN 9781350211414
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350211414
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781350011007?
Did you mean 9781350111707?
Did you mean 9781350121140?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages