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  • 1
    Bild
    Bild
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    UID:
    b3kat_BV049897897
    Umfang: xviii, 232 Seiten, 32 ungezählte Seiten Tafeln , Illustrationen
    Ausgabe: Paperback edition
    ISBN: 9781350258648
    Weitere Ausg.: Äquivalent
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3502-5861-7
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, eBook ISBN 978-1-3502-5862-4
    Sprache: Englisch
    Fachgebiete: Technik , Kunstgeschichte , Soziologie
    RVK:
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    Schlagwort(e): Berlin ; Stadtplanung ; Kunst am Bau ; Kunst ; Öffentlicher Raum ; Geschichte 1970-2010
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London [England] : Bloomsbury Visual Arts | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1798295725
    Umfang: 1 Online-Ressource (256 pages)
    Ausgabe: First edition
    ISBN: 9781350258631 , 9781350258624 , 9781350258648
    Inhalt: "In The City as Subject, Carolyn S. Loeb examines three bodies of public art in Berlin in the postwar and contemporary periods: legal and illegal murals painted on exposed residential firewalls in West Berlin in the 1970s and 1980s, public sculpture created primarily during the decade and a half following reunification, and the official Berlin Wall Memorial. Through careful analysis of these works, Loeb develops a conception of the city as not only shaped by its citizens but capable of connecting Berlin's inhabitants with the past. The three structures in question each represent a distinctive body of public art that has emerged in the city--and beyond their ostensible subjects, they are all embedded within Berlin's specifically urban landscape. These bodies together demonstrate public art's reliance on the city's own forms and materials as a means of visual expression. By considering the history, contexts, subjects, materials, and formal decisions manifested in each work, as well as their relationship to a prevailing climate of citizen activism, this book shows how these bodies of public art present a vision of Berlin that counters today's homogenizing practices, and in doing so each one keeps alive citizen-activists' conversations about the nature of the city that they desire."--
    Anmerkung: Includes bibliographical references and index , Preface and acknowledgments -- 1. Introduction: Public Art and the Affirmation of the City -- 2. West Berlin Walls, Street Art, and the Right to the City -- 3. City Spaces: Contemporary Public Sculpture in Berlin -- 4. The Memorial Landscape of the Berlin Wall -- 5. Conclusion: Public Art within an Urban Discourse -- Bibliography -- Index. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781350258600
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9781350258648
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    UID:
    kobvindex_ZLB35112074
    Umfang: xviii, 232 Seiten , Illustrationen
    Ausgabe: first paperback edition
    ISBN: 9781350258648
    Serie: Bloomsbury Academic
    Inhalt: In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city’s infrastructure and daily urban experience. These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be.Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city’s division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall’s existence. Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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