Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    almahu_9949865746302882
    Format: 1 online resource : , text file, PDF
    Edition: First edition.
    ISBN: 9781351105606 , 1351105604 , 9781351105590 , 1351105590 , 9781351105576 , 1351105574
    Series Statement: The British Archaeological Association Conference Transactions
    Content: "The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d'Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular?focus on questions of?patronage, design and instrumentality across Latin Europe and the Mediterranean. No?previous studies of?patterns of artistic production during the Romanesque period rival the?breadth of coverage?encompassed?by this volume?- both in terms of geographical origin and media, and in terms of?historical approach. Topics?range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The?volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons -?a?serious?theme in a?collection that opens?with 'Function, Conditionality and Process in Anglo-Norman Architecture' and ends with a consideration of 'The Death of the Patron'."--Provided by publisher
    Note: Chapter Function, condition and process in eleventh-century Anglo-Norman church architecture / , chapter Matilda and the cities of the Gregorian Reform / , chapter Romanesque Cathedrals in Northern Italy -- building processes between bishop and commune / , chapter Episcopal patronage in the reform of Catalan Cathedral canonries during the first Romanesque period: -- , A new approach / , chapter The role of kings and bishops in the introduction of Romanesque art in Navarre and Aragon / , chapter From Peláez to Gelmírez: -- , The problem of art patronage at the Romanesque Cathedral of Santiago de Compostela / , chapter Patronage, Romanesque architecture and the Languedoc / , chapter The Armenian Cathedral of Saints James in Jerusalem: -- , Melisende and the question of exchange between East And West / , chapter Grandmont and the English Kings: -- , An example of patronage in the context of an ascetic architectural trend / , chapter The hospital, England and Sigena: -- , A footnote / , chapter Henry of Blois, St Hugh and Henry II: -- , The Winchester Bible reconsidered / , chapter Patrons, institutions and public in the making of Catalan Romanesque art during the Comital period (1000-1137) / , chapter The artistic patronage of Abbot Gregorius at Cuixà: -- , Models and tributes 1 / , chapter A Limousin Ciborium in medieval Catalonia / , chapter The Jaca ivories: -- , Towards a revaluation of eleventh-century female artistic patronage in the Kingdom of Aragon / , chapter The Aemilian casket reliquary: -- , A product of institutional patronage / , chapter Patronage at the Cathedral of Tarragona: -- , Cult and residential space 1 / , chapter An Anglo-Norman at Terrassa? -- , Augustinian Canons and Thomas Becket at the end of the twelfth century / , chapter Agency and the re-invention of slab relief sculpture at San Isidoro de León c. 1100 / , chapter Patron and liturgy: -- , The liturgical setting of the Cathedral Church of San Martino in Lucca after 1070 and the Gregorian Reform / , chapter The 'Literate' Lay donor: -- , Textuality and the Romanesque patron / , chapter Remarks on patron inscriptions with restricted presence 1 / , chapter The twelfth-century patrons of the Bridekirk font / , chapter The scope of competence of the painter and the patron in mural painting in the Romanesque period / , chapter The death of the patron: -- , Agency, style and the making of the Liber Feudorum Maior of Barcelona /
    Additional Edition: ISBN 9781351105590
    Additional Edition: ISBN 9781351105583
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    almahu_9949880766602882
    Format: 1 online resource.
    ISBN: 9781351105590 , 1351105590 , 9781351105583 , 1351105582
    Series Statement: [The British Archaeological Association conference transactions]
    Uniform Title: Romanesque (Routledge (Firm))
    Content: The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d'Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume - both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons - a serious theme in a collection that opens with 'Function, condition and process in eleventh-century Anglo-Norman church architecture' and ends with a consideration of 'The death of the patron'.
    Note: The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d'Art de Catalunya in Barcelona. , Advisory Panel -- Notes on Contributors -- List of Figures -- Preface -- Colour Plates -- Function, Conditionality and Process in Anglo-Norman Architecture -- Richard Gem -- Before the Communal Age: Patronage and Reform in the Attonidi Domains -- Arturo Carlo Quintavalle -- Romanesque Cathedrals in Northern Italy Building Processes between Bishop and Commune -- Bruno Klein -- Episcopal Patronage in the Reform of the Catalan Cathedral Canonries during the first Romanesque Period: A New Approach -- Eduardo Carrero Santamaria -- The Role of Bishops and Kings in the Introduction of Romanesque Art in Navarre and Aragon -- Javier Martnez de Aguirre -- From Pelez to Gelmrez. The Problem of Art Patronage at the Romanesque Cathedral of Santiago de Compostela -- Jens Rueffer -- Patronage, Romanesque architecture and the Languedoc -- Eric Fernie -- The Armenian Cathedral of Saints James in Jerusalem: Melisende and the Question of Exchange between East and West -- Armen Kazaryan -- Grandmont and the English Kings -- Claade Andrault-Schmitt -- The Hospital, England and Sigena. A Footnote -- Neil Stratford -- King Henry II, St Hugh, and the Winchester Bible -- Christopher Norton -- Patrons, Institutions and Public in the Making of Catalan Romanesque Art -- Manuel Castieiras -- The Artistic Patronage of Abbot Gregorius at Cuix: Models and Tributes -- Anna Orriols -- A Limousin Ciborium in Medieval Catalonia -- Joan Duran-Porta -- The Jaca Ivories: Towards a Re-evaluation of 11th-century Female Patronage in the Kingdom of Aragon -- Vernica Abenza -- The Aemilian Casket Reliquary: A Product of Institutional Patronage -- Melanie Hanan -- Patronage at the cathedral of Tarragona: Cultic and Residential Space -- Esther Lozano-Lpez & Marta Serrano-Coll -- An Anglo-Norman at Terrassa? Augustinian Canons and Thomas Becket at the end of the 12th Century -- Carles Snchez -- Agency and the re-invention of slab relief sculpture at San Isidoro de Len c. 1100 -- Rose Walker -- Patron and Liturgy: The Liturgical Setting of San Martino in Lucca after 1070 -- Carlotta TaddeiThe Literate Lay Donor: Textuality and the Romanesque PatronRobert Maxwell -- Remarks on Patron Inscriptions with Restricted Presence -- Wilfried E. Keil -- The Bridekirk Font: A Twelfth-Century Mason and his Patrons -- Hugh Doherty -- The Role of Painter and Patron in the Work of a Wall or Panel Painting in the Romanesque Age -- Anne Leturque -- The Death of the Patron: The History and Mystery of the Liber Feudorum Maior -- Shannon L. Wearing -- Index.
    Additional Edition: Print version: New York : Routledge, 2018 ISBN 9781138477049
    Language: English
    Keywords: Electronic books. ; Conference papers and proceedings ; History
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781351105538?
Did you mean 9781351005593?
Did you mean 9781351005883?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages