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  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    edocfu_9958352636502883
    Format: 1 online resource (240 pages) : , illustrations.
    Edition: Core Textbook.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 1999. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400823048
    Content: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , I. Introduction -- , II. Alain Resnais: The Ghosts of History -- , III. Battles for Memory: Vichy Revisited -- , IV. Bertrand Tavernier: History in the Present Tense -- , V. Memory and Its Losses: Troubled Dreams of Empire -- , VI. A la recherche du temps perdu: The Specter of Populism -- , Epilogue -- , Notes -- , Index. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    edocfu_9959244651202883
    Format: 1 online resource (243 p.)
    Edition: Core Textbook
    ISBN: 1-4008-0305-5 , 1-282-75370-3 , 9786612753701 , 1-4008-2304-8 , 1-4008-1185-6
    Content: In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960's. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930's, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970's and 1980's. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself.
    Note: Description based upon print version of record. , Front matter -- , Contents -- , Acknowledgments -- , I. Introduction -- , II. Alain Resnais: The Ghosts of History -- , III. Battles for Memory: Vichy Revisited -- , IV. Bertrand Tavernier: History in the Present Tense -- , V. Memory and Its Losses: Troubled Dreams of Empire -- , VI. A la recherche du temps perdu: The Specter of Populism -- , Epilogue -- , Notes -- , Index , Issued also in print. , English
    Additional Edition: ISBN 0-691-00475-7
    Additional Edition: ISBN 0-691-02959-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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