Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    edocfu_9958352626602883
    Format: 1 online resource (424 pages) : , illustrations.
    Edition: Core Textbook.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2001. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400824731
    Series Statement: Martin Classical Lectures
    Content: Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have struggled to explain this seeming contradiction. Helene Foley shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis. She investigates three central and problematic areas in which tragic heroines act independently of men: death ritual and lamentation, marriage, and the making of significant ethical choices. Her anthropological approach, together with her literary analysis, allows for an unusually rich context in which to understand gender relations in ancient Greece. This book examines, for example, the tragic response to legislation regulating family life that may have begun as early as the sixth century. It also draws upon contemporary studies of virtue ethics and upon feminist reconsiderations of the Western ethical tradition. Foley maintains that by viewing public issues through the lens of the family, tragedy asks whether public and private morality can operate on the same terms. Moreover, the plays use women to represent significant moral alternatives. Tragedy thus exploits, reinforces, and questions cultural clichés about women and gender in a fashion that resonates with contemporary Athenian social and political issues.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introductory Note and Abbreviations -- , Introduction -- , I. The Politics of Tragic Lamentation -- , II. The Contradictions of Tragic Marriage -- , III. Women as Moral Agents in Greek Tragedy -- , IV. Anodos Dramas: Euripides’ Alcestis and Helen -- , Conclusion -- , Bibliography -- , General Index -- , Index Locorum. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9958352626602883
    Format: 1 online resource (424 pages) : , illustrations.
    Edition: Core Textbook.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2001. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400824731
    Series Statement: Martin Classical Lectures
    Content: Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have struggled to explain this seeming contradiction. Helene Foley shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis. She investigates three central and problematic areas in which tragic heroines act independently of men: death ritual and lamentation, marriage, and the making of significant ethical choices. Her anthropological approach, together with her literary analysis, allows for an unusually rich context in which to understand gender relations in ancient Greece. This book examines, for example, the tragic response to legislation regulating family life that may have begun as early as the sixth century. It also draws upon contemporary studies of virtue ethics and upon feminist reconsiderations of the Western ethical tradition. Foley maintains that by viewing public issues through the lens of the family, tragedy asks whether public and private morality can operate on the same terms. Moreover, the plays use women to represent significant moral alternatives. Tragedy thus exploits, reinforces, and questions cultural clichés about women and gender in a fashion that resonates with contemporary Athenian social and political issues.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introductory Note and Abbreviations -- , Introduction -- , I. The Politics of Tragic Lamentation -- , II. The Contradictions of Tragic Marriage -- , III. Women as Moral Agents in Greek Tragedy -- , IV. Anodos Dramas: Euripides’ Alcestis and Helen -- , Conclusion -- , Bibliography -- , General Index -- , Index Locorum. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781400820931?
Did you mean 9781400820771?
Did you mean 9781400821761?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages