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  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9958352527902883
    Format: 1 online resource (304 pages) : , illustrations.
    Edition: Course Book.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2004. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400825745
    Content: This book describes a major literary culture caught in the act of becoming minor. In 1939, Virginia Woolf wrote in her diary, "Civilisation has shrunk." Her words captured not only the onset of World War II, but also a longer-term reversal of national fortune. The first comprehensive account of modernism and imperialism in England, A Shrinking Island tracks the joint eclipse of modernist aesthetics and British power from the literary experiments of the 1930s through the rise of cultural studies in the 1950s. Jed Esty explores the effects of declining empire on modernist form--and on the very meaning of Englishness. He ranges from canonical figures (T. S. Eliot and Virginia Woolf) to influential midcentury intellectuals (J. M. Keynes and J.R.R. Tolkien), from cultural studies pioneers (Raymond Williams and E. P. Thompson) to postwar migrant writers (George Lamming and Doris Lessing) Focusing on writing that converts the potential energy of the contracting British state into the language of insular integrity, he argues that an anthropological ethos of cultural holism came home to roost in late-imperial England. Esty's interpretation challenges popular myths about the death of English literature. It portrays the survivors of the modernist generation not as aesthetic dinosaurs, but as participants in the transition from empire to welfare state, from metropolitan art to national culture. Mixing literary criticism with postcolonial theory, his account of London modernism's end-stages and after-lives provides a fresh take on major works while redrawing the lines between modernism and postmodernism.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Late Modernism and the Anthropological Turn -- , 1. Modernism and Metropolitan Perception in England -- , 2. Insular Rites: Virginia Woolf and the Late Modernist Pageant-Play -- , 3. Insular Time: T. S. Eliot and Modernism’s English End -- , 4. Becoming Minor -- , Notes -- , Index. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9959228921402883
    Format: 1 online resource (298 p.)
    Edition: Course Book
    ISBN: 1-282-15884-8 , 9786612158841 , 1-4008-2574-1
    Content: This book describes a major literary culture caught in the act of becoming minor. In 1939, Virginia Woolf wrote in her diary, "Civilisation has shrunk." Her words captured not only the onset of World War II, but also a longer-term reversal of national fortune. The first comprehensive account of modernism and imperialism in England, A Shrinking Island tracks the joint eclipse of modernist aesthetics and British power from the literary experiments of the 1930's through the rise of cultural studies in the 1950's. Jed Esty explores the effects of declining empire on modernist form--and on the very meaning of Englishness. He ranges from canonical figures (T. S. Eliot and Virginia Woolf) to influential midcentury intellectuals (J. M. Keynes and J.R.R. Tolkien), from cultural studies pioneers (Raymond Williams and E. P. Thompson) to postwar migrant writers (George Lamming and Doris Lessing). Focusing on writing that converts the potential energy of the contracting British state into the language of insular integrity, he argues that an anthropological ethos of cultural holism came home to roost in late-imperial England. Esty's interpretation challenges popular myths about the death of English literature. It portrays the survivors of the modernist generation not as aesthetic dinosaurs, but as participants in the transition from empire to welfare state, from metropolitan art to national culture. Mixing literary criticism with postcolonial theory, his account of London modernism's end-stages and after-lives provides a fresh take on major works while redrawing the lines between modernism and postmodernism.
    Note: Description based upon print version of record. , Front matter -- , Contents -- , Acknowledgments -- , Introduction: Late Modernism and the Anthropological Turn -- , 1. Modernism and Metropolitan Perception in England -- , 2. Insular Rites: Virginia Woolf and the Late Modernist Pageant-Play -- , 3. Insular Time: T. S. Eliot and Modernism's English End -- , 4. Becoming Minor -- , Notes -- , Index , Issued also in print. , English
    Additional Edition: ISBN 0-691-11548-6
    Additional Edition: ISBN 0-691-11549-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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