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  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9958352616402883
    Format: 1 online resource (232 pages) : , illustrations.
    Edition: Course Book.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2007. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400827411
    Content: Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction. "Making Choice of a Human Self" -- , Chapter 1. The Lyric Subject -- , Chapter 2. The Historical "I" -- , Chapter 3. The Scripted "I" -- , Chapter 4. The Body of Words -- , Chapter 5. Four Quartets: Rhetoric Redeemed -- , Chapter 6. Wallace Stevens and "The Less Legible Meanings of Sounds" -- , Chapter 7. Pound’S Soundtrack: "Reading Cantos for What Is on the Page" -- , Chapter 8. Anne Sexton, "The Typo" -- , Coda. The Haunted House of "Anna" -- , Works Cited -- , Index. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9959228924902883
    Format: 1 online resource (227 p.)
    Edition: Course Book
    ISBN: 1-282-15902-X , 9786612159022 , 1-4008-2741-8
    Content: Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Acknowledgments -- , Introduction. "Making Choice of a Human Self" -- , Part One. Lyric Theory -- , Chapter 1. The Lyric Subject -- , Chapter 2. The Historical "I" -- , Chapter 3. The Scripted "I" -- , Chapter 4. The Body of Words -- , Part Two. Lyric Practice -- , Chapter 5. Four Quartets: Rhetoric Redeemed -- , Chapter 6. Wallace Stevens and "The Less Legible Meanings of Sounds" -- , Chapter 7. Pound'S Soundtrack: "Reading Cantos for What Is on the Page" -- , Chapter 8. Anne Sexton, "The Typo" -- , Coda. The Haunted House of "Anna" -- , Works Cited -- , Index , Issued also in print. , English
    Additional Edition: ISBN 0-691-12682-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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