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  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    almafu_9958352497202883
    Format: 1 online resource (328 pages) : , illustrations.
    Edition: Course Book.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2006. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400831562
    Content: In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised Transcultural Cinema and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words. In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses the need for a new field of social aesthetics, further elaborated in his reflections on filming at an elite boys' school in northern India. The theme of the school is taken up as well in his discussion of fiction and nonfiction films of childhood. The book's final section presents a radical view of the history of visual anthropology as a maverick anthropological practice that was always at odds with the anthropology of words. In place of the conventional wisdom, he proposes a new set of principles for visual anthropology. These are essays in the classical sense--speculative, judicious, lucidly written, and mercifully jargon-free. The Corporeal Image presents the latest ideas from one of our foremost thinkers on the role of vision and visual representation in contemporary social thought.
    Note: Frontmatter -- , CONTENTS -- , ILLUSTRATIONS -- , ACKNOWLEDGMENTS -- , Introduction. Meaning and Being -- , 1. The Body in Cinema -- , 2. Voice and Vision -- , 3. Films of Childhood -- , 4. Social Aesthetics and the Doon School -- , 5. Doon School Reconsidered -- , 6. Photo Hierarchicus: Signs and Mirrors in Indian Photography -- , 7. Staging The Body: The Photography of Jean Audema -- , 8. The Visual in Anthropology -- , 9. Anthropology’S Lost Vision -- , 10. New Principles of Visual Anthropology -- , Filmography -- , Bibliography -- , Index. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Princeton, NJ :Princeton University Press,
    UID:
    almafu_9958124330502883
    Format: 1 online resource : , illustrations
    Edition: Course Book
    ISBN: 0-691-12156-7 , 1-4008-3156-3
    Content: In this book, David MacDougall, one of the leading ethnographic filmmakers and film scholars of his generation, builds upon the ideas from his widely praised Transcultural Cinema and argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words. In ten chapters, MacDougall explores the relations between photographic images and the human body-the body of the viewer and the body behind the camera as well as the body as seen in ethnography, cinema, and photography. In a landmark piece, he discusses the need for a new field of social aesthetics, further elaborated in his reflections on filming at an elite boys' school in northern India. The theme of the school is taken up as well in his discussion of fiction and nonfiction films of childhood. The book's final section presents a radical view of the history of visual anthropology as a maverick anthropological practice that was always at odds with the anthropology of words. In place of the conventional wisdom, he proposes a new set of principles for visual anthropology. These are essays in the classical sense--speculative, judicious, lucidly written, and mercifully jargon-free. The Corporeal Image presents the latest ideas from one of our foremost thinkers on the role of vision and visual representation in contemporary social thought.
    Note: Frontmatter -- , CONTENTS -- , ILLUSTRATIONS -- , ACKNOWLEDGMENTS -- , Introduction. Meaning and Being -- , Part I. Matter and Image -- , 1. The Body in Cinema -- , 2. Voice and Vision -- , Part II. Images of Childhood -- , 3. Films of Childhood -- , 4. Social Aesthetics and the Doon School -- , 5. Doon School Reconsidered -- , Part III. The Photographic Imagination -- , 6. Photo Hierarchicus: Signs and Mirrors in Indian Photography -- , 7. Staging The Body: The Photography of Jean Audema -- , Part IV. The Ethnographic Imagination -- , 8. The Visual in Anthropology -- , 9. Anthropology'S Lost Vision -- , 10. New Principles of Visual Anthropology -- , Filmography -- , Bibliography -- , Index , Issued also in print.
    Additional Edition: ISBN 0-691-12155-9
    Additional Edition: ISBN 1-299-97349-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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