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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    UID:
    gbv_1832335151
    Format: 1 Online-Ressource (394 p.)
    ISBN: 9781421430119
    Content: Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty-worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Johns Hopkins University Press
    UID:
    edoccha_9959798173602883
    Format: 1 online resource (1 online resource (xix, 369 pages :) , illustrations)
    ISBN: 1-4214-3056-8
    Content: Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
    Content: In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
    Note: Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. , The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , Originally published as Johns Hopkins Press in 1996 , Aesthetics and deism -- Shaftesburian disinterestedness -- Addison's aesthetics of the novel -- The conversation piece : politeness and subversion -- The "Great Creation" : Fielding -- Aesthetics and erotics : Cleland, Fielding, and Sterne -- The strange, trivial and infantile : books for children -- From novel to strange to "sublime" -- From novel to picturesque -- The novelizing of Hogarth. , English
    Additional Edition: ISBN 1-4214-3096-7
    Additional Edition: ISBN 1-4214-3011-8
    Language: English
    Keywords: History. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Johns Hopkins University Press
    UID:
    edocfu_9959798173602883
    Format: 1 online resource (1 online resource (xix, 369 pages :) , illustrations)
    ISBN: 1-4214-3056-8
    Content: Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
    Content: In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
    Note: Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. , The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , Originally published as Johns Hopkins Press in 1996 , Aesthetics and deism -- Shaftesburian disinterestedness -- Addison's aesthetics of the novel -- The conversation piece : politeness and subversion -- The "Great Creation" : Fielding -- Aesthetics and erotics : Cleland, Fielding, and Sterne -- The strange, trivial and infantile : books for children -- From novel to strange to "sublime" -- From novel to picturesque -- The novelizing of Hogarth. , English
    Additional Edition: ISBN 1-4214-3096-7
    Additional Edition: ISBN 1-4214-3011-8
    Language: English
    Keywords: History. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Johns Hopkins University Press
    UID:
    almafu_9959798173602883
    Format: 1 online resource (1 online resource (xix, 369 pages :) , illustrations)
    ISBN: 1-4214-3056-8
    Content: Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
    Content: In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
    Note: Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. , The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , Originally published as Johns Hopkins Press in 1996 , Aesthetics and deism -- Shaftesburian disinterestedness -- Addison's aesthetics of the novel -- The conversation piece : politeness and subversion -- The "Great Creation" : Fielding -- Aesthetics and erotics : Cleland, Fielding, and Sterne -- The strange, trivial and infantile : books for children -- From novel to strange to "sublime" -- From novel to picturesque -- The novelizing of Hogarth. , English
    Additional Edition: ISBN 1-4214-3096-7
    Additional Edition: ISBN 1-4214-3011-8
    Language: English
    Keywords: History. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Johns Hopkins University Press
    UID:
    almahu_9949331848302882
    Format: 1 online resource (1 online resource (xix, 369 pages :) , illustrations)
    ISBN: 1-4214-3056-8
    Content: Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
    Content: In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
    Note: Open access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. , The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , Originally published as Johns Hopkins Press in 1996 , Aesthetics and deism -- Shaftesburian disinterestedness -- Addison's aesthetics of the novel -- The conversation piece : politeness and subversion -- The "Great Creation" : Fielding -- Aesthetics and erotics : Cleland, Fielding, and Sterne -- The strange, trivial and infantile : books for children -- From novel to strange to "sublime" -- From novel to picturesque -- The novelizing of Hogarth. , English
    Additional Edition: ISBN 1-4214-3096-7
    Additional Edition: ISBN 1-4214-3011-8
    Language: English
    Keywords: History. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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