Format:
XI, 292 S.
,
Ill.
,
24 cm
ISBN:
1441106103
,
1441131906
,
9781441106100
,
9781441131904
Note:
Literaturverz. S. [251] - 275
,
Introduction: Ambivalence and Authorship -- The Third Space of Authorship: Participatory Practices and New Narrative Models -- The New Prohibition: Digital Piracy and the Politics of Creation -- The Aesthetics of Appropriation. Creativity is Dead -- Long Live The Reflexive Remix -- Interruption (Stoppage + Repetition) -- Disturbance (Action + Event) -- Tactical Media: Public Disturbance After the Decline and Fall of Activism -- Capture/Leakage (Performance + Documentation) -- Dynamic Data and Augmented Bodies -- Authorship. From Karaoke Culture to Vernacular Video -- "Aberrant Decoding" and Atactical Aesthetics -- Sampling -- Mashups -- Remakes/Adaptations/Intertexts -- Streamed data/content or visualization -- Archiving As An Aesthetic Form -- Hacks -- Google Empire: Smart Art and Intelligent Agents From Intelligent Tools to Smart Art -- Real Time/ UnReal Time -- Creative Cannibalism and Digital Anthropophagy. Digital Anthropophagy -- Translation: Performing The In Between -- "Productive Mistranslation" (China and Pakistan) -- Conclusion.
Additional Edition:
Erscheint auch als Online-Ausgabe Guertin, Carolyn Digital prohibition London : Continuum, 2012 ISBN 9781441150585
Language:
English
Keywords:
USA
;
Neue Medien
;
Urheberrecht
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