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  • 1
    Online-Ressource
    Online-Ressource
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
    UID:
    almahu_BV044726409
    Umfang: 1 Online-Ressource (xi, 246 Seiten).
    ISBN: 978-1-5013-0028-8 , 978-1-4411-7358-4 , 978-1-4411-1133-3
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Festeinband ISBN 978-1-4411-9398-8
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Broschur ISBN 978-1-4411-4809-4
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
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    Schlagwort(e): Fernsehen ; Publikum ; Medienkonsum ; Kulturwandel ; Fernsehwirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York :Bloomsbury Academic,
    UID:
    almafu_BV043998556
    Umfang: xi, 246 Seiten.
    ISBN: 978-1-4411-4809-4 , 978-1-4411-9398-8
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePub ISBN 978-1-4411-1133-3
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ePDF ISBN 978-1-4411-7358-4
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
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    Schlagwort(e): Fernsehen ; Publikum ; Medienkonsum ; Kulturwandel ; Fernsehwirtschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    New York : Bloomsbury Academic
    UID:
    gbv_76624458X
    Umfang: xi, 246 Seiten
    Ausgabe: First published
    ISBN: 9781441193988 , 9781441148094 , 9781441111333 , 9781441173584
    Inhalt: "The rise of a curatorial culture where viewers create their own entertainment packages and select from a buffet of viewing options and venues has caused a seismic shift for the traditional television industry. Television on Demand examines how we have reached this present moment, and considers the viable future of this crucial culture industry. Today's viewers their own viewing schedules, wait to watch entire seasons in marathon viewing sessions and stream shows to their mobile devices. Since the beginning of broadcasting, radio and television producers have pushed their shows to audiences in controlled environments that end in a discrete and quantifiable site to be transformed into advertising rates. While audiences clamor for more story-driven and scripted entertainment, their new viewing habits undermine the dominant economic structures that fund quality episodic series. This leads to an empowered audience that realizes its means of control of how it consumes media, as well as a new way of looking at the industry we have traditionally and currently call 'television.' "--
    Inhalt: "The rise of a curatorial culture where viewers create their own entertainment packages and select from a buffet of viewing options and venues has caused a seismic shift for the traditional television industry. Television on Demand examines how we have reached this present moment, and considers the viable future of this crucial culture industry. Today's viewers their own viewing schedules, wait to watch entire seasons in marathon viewing sessions and stream shows to their mobile devices. Since the beginning of broadcasting, radio and television producers have pushed their shows to audiences in controlled environments that end in a discrete and quantifiable site to be transformed into advertising rates. While audiences clamor for more story-driven and scripted entertainment, their new viewing habits undermine the dominant economic structures that fund quality episodic series. This leads to an empowered audience that realizes its means of control of how it consumes media, as well as a new way of looking at the industry we have traditionally and currently call 'television.' "--
    Inhalt: Machine generated contents note: -- Chapter 1: Channeling, Curatorial Culture, and the Transformation of Television -- Chapter 2: The Multichannel Environment, Spectrum Sale, and the Digital Conversion -- Chapter 3: Audiences without Pity -- Chapter 4: Nielsen and Its Discontents -- Chapter 5: The Death of the Daypart, Genre Hybridity, and Programming for an On-Demand World -- Chapter 6: Niche vs. Boutique at the Mall of TV -- Chapter 7: Channeling the Future -- Bibliography -- Index
    Weitere Ausg.: ISBN 9781441111333
    Weitere Ausg.: ISBN 9781441173584
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Robinson, M. J., 1967 - Television on demand New York : Bloomsbury Academic, 2017 ISBN 9781441173584
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Robinson, M. J., 1967 - Television on demand New York : Bloomsbury Academic, 2017 ISBN 9781501300288
    Weitere Ausg.: ISBN 9781441111333
    Weitere Ausg.: ISBN 9781441173584
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
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    Schlagwort(e): Fernsehen ; Publikum ; Medienkonsum ; Kulturwandel ; Fernsehwirtschaft
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York :Bloomsbury Academic,
    UID:
    almafu_9959202087302883
    Umfang: 1 online resource (259 pages) : , illustrations
    ISBN: 1-5013-0028-8 , 1-4411-7358-7 , 1-4411-1133-6
    Inhalt: "Interrogates the challenges facing the producers and distributors of America's episodic television in a world that increasingly encourages and enables customized, on demand viewing"--
    Inhalt: "The rise of a curatorial culture where viewers create their own entertainment packages and select from a buffet of viewing options and venues has caused a seismic shift for the traditional television industry. Television on Demand examines how we have reached this present moment, and considers the viable future of this crucial culture industry. Today's viewers their own viewing schedules, wait to watch entire seasons in marathon viewing sessions and stream shows to their mobile devices. Since the beginning of broadcasting, radio and television producers have pushed their shows to audiences in controlled environments that end in a discrete and quantifiable site to be transformed into advertising rates. While audiences clamor for more story-driven and scripted entertainment, their new viewing habits undermine the dominant economic structures that fund quality episodic series. This leads to an empowered audience that realizes its means of control of how it consumes media, as well as a new way of looking at the industry we have traditionally and currently call 'television.' "--
    Anmerkung: Machine generated contents note: -- Chapter 1: Channeling, Curatorial Culture, and the Transformation of Television -- Chapter 2: The Multichannel Environment, Spectrum Sale, and the Digital Conversion -- Chapter 3: Audiences without Pity -- Chapter 4: Nielsen and Its Discontents -- Chapter 5: The Death of the Daypart, Genre Hybridity, and Programming for an On-Demand World -- Chapter 6: Niche vs. Boutique at the Mall of TV -- Chapter 7: Channeling the Future -- Bibliography -- Index. , Also issued in print.
    Weitere Ausg.: ISBN 1-4411-9398-7
    Weitere Ausg.: ISBN 1-4411-4809-4
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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