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  • 1
    UID:
    almahu_9949273454302882
    Umfang: 1 online resource (318 pages) : , illustrations.
    ISBN: 9781442232648 (e-book)
    Serie: Contextual Bach Studies
    Anmerkung: Includes index.
    Weitere Ausg.: Print version: Irwin, Joyce L. Foretastes of heaven in Lutheran church music tradition : Johann Mattheson and Christoph Raupach on music in time and eternity. Lanham, Maryland : Rowman & Littlefield, c2015 ISBN 9781442232631
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    gbv_154539377X
    Umfang: XLIX, 162 Seiten , Illustrationen
    ISBN: 9781442232631
    Serie: Contextual Bach studies 5
    Inhalt: In the two centuries after Martin Luther’s affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. This volume provides translations and commentary for two 18th-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann. Veritophili deutliche Beweis-Gründe, worauf der rechte Gebrauch der Music beydes in den Kirchen und ausser denselben beruhet (A truth lover’s clear reasonings on which the correct use of music rests, 1717) by Christoph Raupach, with an introduction by Johann Mattheson, serves as a cumulative statement of Lutheran advocacy of music. Mattheson’s Behauptung der himmlischen Musik (Affirmation of heavenly music, 1747) goes a step further in defending the reality of music in heaven and even the ultimate superiority of music over theology and sermons. The author's introduction traces the centrality of Mattheson’s belief in heavenly music throughout the course of his life, even while he was writing works of music theory that earned him a reputation as an Enlightenment thinker. Though influenced by Enlightenment philosophy, specifically British empiricism, he rejected the rationalist philosophies of his German contemporaries and expressed no sympathy for the emerging school of biblical criticism.
    Anmerkung: Includes bibliographical references and index , Erscheinungsjahr in Vorlageform:[2015] , Deutliche Beweis-Gründe , Behauptung der himmlischen Musik
    Weitere Ausg.: ISBN 9781442232648
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Mattheson, Johann 1681-1764 ; Raupach, Christoph 1686-1744 ; Kirchenmusik ; Lutherische Kirche ; Mattheson, Johann 1681-1764 ; Raupach, Christoph 1686-1744 ; Kirchenmusik ; Lutherische Kirche ; Mattheson, Johann 1681-1764 Behauptung der himmlischen Musik aus den Gründen der Vernunft, Kirchen-Lehre und heiligen Schrift ; Raupach, Christoph 1686-1744 Veritophili deutliche Beweis-Gründe, worauf der rechte Gebrauch der Music, beydes in den Kirchen als ausser denselben, beruhet
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    almafu_9960800094402883
    Umfang: 1 online resource (214 p.)
    ISBN: 1-4422-3264-1
    Serie: Contextual Bach Studies
    Inhalt: 〈span〉〈span〉In the two centuries after Martin Luther's affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. Joyce Irwin's earlier work, 〈/span〉〈span style=""font-style:italic;""〉Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque〈/span〉〈span〉, traced this development in Lutheran theological
    Anmerkung: Includes index. , Foretastes Of Heaven In Lutheran Church Music Tradition ; Contents; List of Figures; Series Editor's Foreword; Preface; Abbreviations; Introduction; Part I Christoph Raupach, Deutliche Beweis-Gründe, 1717 Edited by Johann Mattheson; Preface by Johann Mattheson; Chapter 1. Concerning the Commands of God that Deal with Church Music, Vocal as well as Instrumental; Chapter 2. Of the Examples of Jews and Christians; Chapter 3. Concerning the Powerful Usefulness of the Whole of Church Music and also Concerning its Necessity , Chapter 4. Concerning the Powerful Usefulness of Music in Alleviating and Sweetening other Daily AffairsChapter 5. Of the Various Powerful Effects of Music on the Hearts and Minds of People.; Chapter 6. Of the Use of Music in Bodily Illness; Chapter 7. Of the Use of Church Music by Which One Experiences a Foretaste of Heavenly Life; Additional Comments; Part I Notes; Part II Johann Mattheson, Behauptung der himmlischen Musik, 1747; [Introductory Remarks]; Section 1. Investigation of Heavenly Music According to Purified Reason , Section 2. Investigation of Heavenly Music According to Doctrines of the Church and its TeachersSection 3. Investigation of Heavenly Music According to Holy Scripture Itself; Part II Notes; Appendix Mizler's Comments on Ammon's Gründlicher Beweis (1746); Index (Names and subjects); About the Author , English
    Weitere Ausg.: ISBN 1-4422-3263-3
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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