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  • 1
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9958353155802883
    Format: 1 online resource
    ISBN: 9781442670457
    Series Statement: Toronto Italian Studies
    Content: Both a passionate denunciation of masculinist readings of the Decameron and a meticulous critique of previous feminist analyses, Marilyn Migiel's A Rhetoric of the Decameron offers a sophisticated re-examination of the representations of women, men, gender identity, sexuality, love, hate, morality, and truth in Boccaccio's masterpiece. The Decameron stages an ongoing, dynamic, and spirited debate about issues as urgent now as in the fourteenth century ? a debate that can only be understood if the Decameron's rhetorical objectives and strategies are completely reconceived.Addressing herself equally to those who argue for a proto-feminist Boccaccio ? a quasi-liberal champion of women's autonomy ? and to those who argue for a positivistically secure historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his echolalia, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Note on Citations of the Decameron -- , Introduction: A Rhetoric of the Decameron (and why women should read it) -- , 1. Woman as Witness -- , 2. Fiammetta v. Dioneo -- , 3. Boccaccio’s Sexed Thought -- , 4. To Transvest Not to Transgress -- , 5. Women’s Witty Words: Restrictions on Their Use -- , 6. Men, Women, and Figurative Language in the Decameron -- , 7. Domestic Violence in the Decameron -- , Conclusion -- , Notes -- , Works Cited -- , Index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Toronto, [Canada] ; : University of Toronto Press,
    UID:
    almahu_9948327017402882
    Format: 1 online resource (234 pages)
    ISBN: 9781442670457 (e-book)
    Additional Edition: Print version: Migiel, Marilyn, 1954- Rhetoric of the Decameron. Toronto, [Canada] ; Buffalo, [New York] : London, [England] : University of Toronto Press, c2003 ISBN 9780802085948
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Toronto, [Canada] ; : University of Toronto Press,
    UID:
    edocfu_9959227144202883
    Format: 1 online resource (234 p.)
    Edition: 2nd ed.
    ISBN: 0-8020-8594-6 , 1-281-99473-1 , 9786611994730 , 1-4426-7045-2
    Series Statement: Toronto Italian Studies
    Content: Both a passionate denunciation of masculinist readings of the Decameron and a meticulous critique of previous feminist analyses, Marilyn Migiel's A Rhetoric of the Decameron offers a sophisticated re-examination of the representations of women, men, gender identity, sexuality, love, hate, morality, and truth in Boccaccio's masterpiece. The Decameron stages an ongoing, dynamic, and spirited debate about issues as urgent now as in the fourteenth century ? a debate that can only be understood if the Decameron's rhetorical objectives and strategies are completely reconceived.Addressing herself equally to those who argue for a proto-feminist Boccaccio ? a quasi-liberal champion of women's autonomy ? and to those who argue for a positivistically secure historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his echolalia, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent.
    Note: Description based upon print version of record. , ""Contents""; ""Acknowledgments""; ""Note on Citations of the Decameron""; ""Introduction: A Rhetoric of the Decameron (and why women should read it)""; ""1 Woman as Witness""; ""2 Fiammetta v. Dioneo""; ""3 Boccaccio's Sexed Thought""; ""4 To Transvest Not to Transgress""; ""5 Women's Witty Words: Restrictions on Their Use""; ""6 Men, Women, and Figurative Language in the Decameron""; ""7 Domestic Violence in the Decameron""; ""Conclusion""; ""Notes""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P"" , ""R""""s""; ""t""; ""v""; ""w""; ""z"" , Issued also in print. , English
    Additional Edition: ISBN 0-8020-4214-7
    Additional Edition: ISBN 0-8020-8819-8
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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