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  • 1
    Online-Ressource
    Online-Ressource
    Toronto :University of Toronto Press,
    UID:
    almahu_BV044672902
    Umfang: 1 online resource.
    ISBN: 978-1-4426-8419-5
    Serie: Cultural Spaces
    Inhalt: In every major city, there exists a complex exchange between urban space and the institution of the theatre. City Stages is an interdisciplinary and materialist analysis of this relationship as it has existed in Toronto since 1967. Locating theatre companies – their sites and practices – in Toronto’s urban environment, Michael McKinnie focuses on the ways in which the theatre has adapted to changes in civic ideology, environment, and economy. Over the past four decades, theatre in Toronto has been increasingly implicated in the civic self-fashioning of the city and preoccupied with the consequences of the changing urban political economy. City Stages investigates a number of key questions that relate to this pattern. How has theatre been used to justify certain forms of urban development in Toronto? How have local real estate markets influenced the ways in which theatre companies acquire and use performance space? How does the analysis of theatre as an urban phenomenon complicate Canadian theatre historiography? McKinnie uses the St. Lawrence Centre for the Arts and the Toronto Centre for the Performing Arts as case studies and considers theatrical companies such as Theatre Passe Muraille, Toronto Workshop Productions, Buddies in Bad Times, and Necessary Angel in his analysis. City Stages combines primary archival research with the scholarly literature emerging from both the humanities and social sciences. The result is a comprehensive and empirical examination of the relationship between the theatrical arts and the urban spaces that house them
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017) , In English
    Sprache: Englisch
    Schlagwort(e): Theaterproduktion ; Stadtleben
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9958353104202883
    Umfang: 1 online resource
    ISBN: 9781442684195
    Serie: Cultural Spaces
    Inhalt: In every major city, there exists a complex exchange between urban space and the institution of the theatre. City Stages is an interdisciplinary and materialist analysis of this relationship as it has existed in Toronto since 1967. Locating theatre companies – their sites and practices – in Toronto’s urban environment, Michael McKinnie focuses on the ways in which the theatre has adapted to changes in civic ideology, environment, and economy. Over the past four decades, theatre in Toronto has been increasingly implicated in the civic self-fashioning of the city and preoccupied with the consequences of the changing urban political economy. City Stages investigates a number of key questions that relate to this pattern. How has theatre been used to justify certain forms of urban development in Toronto? How have local real estate markets influenced the ways in which theatre companies acquire and use performance space? How does the analysis of theatre as an urban phenomenon complicate Canadian theatre historiography? McKinnie uses the St. Lawrence Centre for the Arts and the Toronto Centre for the Performing Arts as case studies and considers theatrical companies such as Theatre Passe Muraille, Toronto Workshop Productions, Buddies in Bad Times, and Necessary Angel in his analysis. City Stages combines primary archival research with the scholarly literature emerging from both the humanities and social sciences. The result is a comprehensive and empirical examination of the relationship between the theatrical arts and the urban spaces that house them.
    Anmerkung: Frontmatter -- , Contents -- , Acknowledgments -- , Nomenclature -- , Introduction: Towards an Urban Analysis of Theatre in Toronto -- , PART ONE. Civic Development -- , 1. Urban National, Suburban Transnational: Civic Theatres and the Urban Development of Toronto’s Downtowns -- , 2. Good Times, Inc.: Constructing a Civic Play Economy in the Entertainment District -- , PART TWO. The Edifice Complex -- , 3. Space Administration: Locating an Urban History of Theatre Passe Muraille -- , 4. A Troubled Home: Spatializing the Demise of Toronto Workshop Productions -- , 5. Movin’ On Up: Spatial Scarcity, Cultural Equity, and the Geography of Theatrical Legitimacy -- , Conclusion -- , Notes -- , Works Cited -- , Index , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Toronto :University of Toronto Press,
    UID:
    edocfu_9959243476902883
    Umfang: 1 online resource (192 pages)
    ISBN: 1-4426-6944-6 , 1-4426-1597-4 , 1-4426-8419-4
    Serie: Cultural Spaces
    Originaltitel: Association of Canadian University Presses collection
    Inhalt: In every major city, there exists a complex exchange between urban space and the institution of the theatre. City Stages is an interdisciplinary and materialist analysis of this relationship as it has existed in Toronto since 1967. Locating theatre companies - their sites and practices - in Toronto's urban environment, Michael McKinnie focuses on the ways in which the theatre has adapted to changes in civic ideology, environment, and economy. Over the past four decades, theatre in Toronto has been increasingly implicated in the civic self-fashioning of the city and preoccupied with the consequences of the changing urban political economy. City Stages investigates a number of key questions that relate to this pattern. How has theatre been used to justify certain forms of urban development in Toronto? How have local real estate markets influenced the ways in which theatre companies acquire and use performance space? How does the analysis of theatre as an urban phenomenon complicate Canadian theatre historiography? McKinnie uses the St. Lawrence Centre for the Arts and the Toronto Centre for the Performing Arts as case studies and considers theatrical companies such as Theatre Passe Muraille, Toronto Workshop Productions, Buddies in Bad Times, and Necessary Angel in his analysis. City Stages combines primary archival research with the scholarly literature emerging from both the humanities and social sciences. The result is a comprehensive and empirical examination of the relationship between the theatrical arts and the urban spaces that house them.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , Towards an urban analysis of theatre in Toronto -- Urban national, suburban transnational : civic theatres and the urban development of Toronto's downtowns -- Good times, inc. : constructing a civic play economy in the entertainment district -- Space administration : locating an urban history of theatre passe muraille -- A troubled home : spatializing the demise of Toronto workshop productions -- Movin' on up : spatial scarcity, cultural equity, and the geography of theatrical legitimacy. , Also available in print version. , English
    Weitere Ausg.: ISBN 0-8020-2758-X
    Weitere Ausg.: ISBN 0-8020-9121-0
    Sprache: Englisch
    Schlagwort(e): History. ; Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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