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  • 1
    UID:
    gbv_1765145708
    Umfang: 1 online resource
    ISBN: 9781315591094 , 9781317109044 , 9781317109051
    Inhalt: 1. Reclaiming John from the monks -- 2. Ground zero : Peele, Shakespeare, and the birth of the topical cluster -- 3. John Stow at the crossroads of memory, legend, and theatrical history -- 4. Munday's alternate history and the topical cluster of King John -- 5. The sexy side of history and the specter of bastardy : Look about you -- 6. Historical poesy strikes back -- 7. Dunmow redivivus : Vallans, Daniel, and Davenport -- 8. Connecting the dots : the long shadow of Dunmow.
    Anmerkung: Includes bibliographical references (pages [191]-200) index
    Weitere Ausg.: ISBN 9781472462046
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9781472462046
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    gbv_161684695X
    Umfang: 204 Seiten , Illustrationen
    ISBN: 9781472462046
    Inhalt: King John's evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare's portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare's portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John's transformation in cultural memory has never been told completely, perhaps because the crucial moment in John's change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John's character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John's second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man's money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral's Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic's analysis of the playtexts' source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation's cultural memory.
    Anmerkung: Bibliographie: Seiten [191]-200 , Introduction: Of critics and dashed scholarly expectationsReclaiming John from the monks -- Ground zero: Peele, Shakespeare, and the birth of the topical cluster -- John Stow at the crossroads of memory, legend, and theatrical history -- Munday's alternate history and the topical cluster of King John -- The sexy side of history and the specter of bastardy: look about you -- Historical poesy strikes back -- Dunmow redivivus: Vallans, Daniel, and Davenport -- Connecting the dots: the long shadow of Dunmow.
    Weitere Ausg.: ISBN 9781472462053
    Weitere Ausg.: ISBN 9781472462060
    Sprache: Englisch
    Schlagwort(e): Johann I. England, König 1167-1216 ; Kollektives Gedächtnis ; Literatur ; Geschichtsschreibung ; Johann I. England, König 1167-1216 ; Kollektives Gedächtnis ; Literatur ; Geschichtsschreibung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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