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  • 1
    Online Resource
    Online Resource
    Joseph Cornell versus cinema (2013)
    London : Bloomsbury Academic
    Details
    UID:
    gbv_169477001X
    Format: 1 Online-Ressource (xii, 129 pages)
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Edition: Also issued in print
    ISBN: 9781472544728
    Note: Includes bibliographical references and index , Also issued in print. , Electronic reproduction; Available via World Wide Web , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781780934150
    Additional Edition: ISBN 9781472503534
    Additional Edition: ISBN 9781472503527
    Additional Edition: Erscheint auch als Paperback version ISBN 9781474238458
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781472503527
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781472503534
    Language: English
    DOI: 10.5040/9781472544728
    URL: kostenfrei
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
    UB Potsdam
    MPI Bildungsforschung
  • 2
    Online Resource
    Online Resource
    Joseph Cornell Versus Cinema (2013)
    London : Bloomsbury Academic
    Details
    UID:
    gbv_1832250431
    Format: 1 Online-Ressource (144 p.)
    ISBN: 9781472544728 , 9781472503534 , 9781472503527
    Series Statement: The WISH List
    Content: This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Joseph Cornell is one of the most significant American artists of the 20th century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined. In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of 20th-century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom
    Note: English
    Language: Undetermined
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 3
    Online Resource
    Online Resource
    A critical and exegetical commentary on the book of Daniel (1989)
    Edinburgh : T. & T. Clark
    Details
    UID:
    gbv_1694791793
    Format: 1 Online-Ressource (xxxi, 478 pages)
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Edition: Also issued in print
    ISBN: 9781472555977
    Series Statement: International critical commentary on the Holy Scriptures of the Old and New Testaments
    Note: Includes bibliographical references , Also issued in print. , Electronic reproduction; Available via World Wide Web , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9780567050175
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781472503527
    Language: English
    DOI: 10.5040/9781472555977
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    UB Potsdam
  • 4
    Online Resource
    Online Resource
    Joseph Cornell versus cinema / (2013)
    London :Bloomsbury Academic,
    Details
    UID:
    almahu_9947382299102882
    Format: 1 online resource (145 pages) : , illustrations; digital, PDF file(s).
    ISBN: 1-4725-4472-2 , 1-4725-0352-X , 1-4725-0353-8
    Series Statement: The WISH List
    Content: Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied.However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
    Note: Description based upon print version of record. , Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect , Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index , Also issued in printing. , English
    Language: English
    DOI: 10.5040/9781472544728
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HU Berlin
  • 5
    Online Resource
    Online Resource
    Joseph Cornell versus cinema / (2013)
    London :Bloomsbury Academic,
    Details
    UID:
    edoccha_9958124551502883
    Format: 1 online resource (145 pages) : , illustrations; digital, PDF file(s).
    ISBN: 1-4725-4472-2 , 1-4725-0352-X , 1-4725-0353-8
    Series Statement: The WISH List
    Content: Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied.However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
    Note: Description based upon print version of record. , Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect , Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index , Also issued in printing. , English
    Language: English
    DOI: 10.5040/9781472544728
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Charité
  • 6
    Online Resource
    Online Resource
    Joseph Cornell versus cinema / (2013)
    London :Bloomsbury Academic,
    Details
    UID:
    edocfu_9958124551502883
    Format: 1 online resource (145 pages) : , illustrations; digital, PDF file(s).
    ISBN: 1-4725-4472-2 , 1-4725-0352-X , 1-4725-0353-8
    Series Statement: The WISH List
    Content: Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied.However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
    Note: Description based upon print version of record. , Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect , Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index , Also issued in printing. , English
    Language: English
    DOI: 10.5040/9781472544728
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
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