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  • 1
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury
    UID:
    gbv_1694764079
    Umfang: 1 Online-Ressource (1 online resource)
    Ausgabe: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Ausgabe: Also issued in print
    ISBN: 9781472594488
    Inhalt: Acknowledgements -- 1. Friedrich Schlegel Intermezzo -- 1: Words and the Things -- 2. Novalis Intermezzo -- 2: Irony and Barbarity -- 3. Schleiermacher -- Conclusion --Coda 1: Galvanism and Excitability in Friedrich Schlegel's Theory of the Fragment -- Coda 2: Reflections on Novalis's Logological Fragments -- Notes -- Bibliography -- Index.
    Inhalt: "Hegel's critique of Early German Romanticism and its theory of irony resonates to the core of his own philosophy in the same way that Plato's polemics with the Sophists have repercussions that go to the centre of his thought. The Anti-Romantic examines Hegel's critique of Fr. Schlegel, Novalis and Schleiermacher. Hegel rarely mentions these thinkers by name and the texts dealing with them often exist on the periphery of his oeuvre. Nonetheless, individually, they represent embodiments of specific forms of irony: Schlegel, a form of critical individuality; Novalis, a form of sentimental nihilism; Schleiermacher, a monstrous hybrid of the other two. The strength of Hegel's polemical approach to these authors shows how irony itself represents for him a persistent threat to his own idea of systematic Science. This is so, we discover, because Romantic irony is more than a rival ideology; it is an actual form of discourse, one whose performative objectivity interferes with the objectivity of Hegel's own logos. Thus, Hegel's critique of irony allows us to reciprocally uncover a Hegelian theory of scientific discourse. Far from seeing irony as a form of consciousness overcome by Spirit, Hegel sees it as having become a pressing feature of his own contemporary world, as witnessed in the popularity of his Berlin rival, Schleiermacher. Finally, to the extent that ironic discourse seems, for Hegel, to imply a certain world beyond his own notion of modernity, we are left with the hypothesis that Hegel's critique of irony may be viewed as a critique of post-modernity."--Bloomsbury Publishing
    Anmerkung: Includes bibliographical references and index , Also issued in print. , Electronic reproduction; Available via World Wide Web , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781472574817
    Weitere Ausg.: ISBN 9781472574831
    Weitere Ausg.: ISBN 9781472574824
    Weitere Ausg.: Available in another form
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    New York :Bloomsbury,
    UID:
    edocfu_9960947560902883
    Umfang: 1 online resource (209 p.)
    ISBN: 1-4725-9448-7 , 1-4725-7483-4 , 1-4725-7482-6
    Inhalt: "Hegel's critique of Early German Romanticism and its theory of irony resonates to the core of his own philosophy in the same way that Plato's polemics with the Sophists have repercussions that go to the centre of his thought. The Anti-Romantic examines Hegel's critique of Fr. Schlegel, Novalis and Schleiermacher. Hegel rarely mentions these thinkers by name and the texts dealing with them often exist on the periphery of his oeuvre. Nonetheless, individually, they represent embodiments of specific forms of irony: Schlegel, a form of critical individuality; Novalis, a form of sentimental nihilism; Schleiermacher, a monstrous hybrid of the other two. The strength of Hegel's polemical approach to these authors shows how irony itself represents for him a persistent threat to his own idea of systematic Science. This is so, we discover, because Romantic irony is more than a rival ideology; it is an actual form of discourse, one whose performative objectivity interferes with the objectivity of Hegel's own logos. Thus, Hegel's critique of irony allows us to reciprocally uncover a Hegelian theory of scientific discourse. Far from seeing irony as a form of consciousness overcome by Spirit, Hegel sees it as having become a pressing feature of his own contemporary world, as witnessed in the popularity of his Berlin rival, Schleiermacher. Finally, to the extent that ironic discourse seems, for Hegel, to imply a certain world beyond his own notion of modernity, we are left with the hypothesis that Hegel's critique of irony may be viewed as a critique of post-modernity."--Bloomsbury Publishing.
    Anmerkung: Description based upon print version of record. , Acknowledgements -- 1. Friedrich Schlegel Intermezzo -- 1: Words and the Things -- 2. Novalis Intermezzo -- 2: Irony and Barbarity -- 3. Schleiermacher -- Conclusion --Coda 1: Galvanism and Excitability in Friedrich Schlegel's Theory of the Fragment -- Coda 2: Reflections on Novalis's Logological Fragments -- Notes -- Bibliography -- Index. , Also issued in print. , English
    Weitere Ausg.: ISBN 1-350-08990-7
    Weitere Ausg.: ISBN 1-4725-7481-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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