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  • 1
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    UID:
    gbv_1759452270
    Format: 1 Online-Ressource (xvi, 244 p) , ill
    Edition: First ed
    Edition: London Bloomsbury Publishing 2014 Electronic reproduction; Available via World Wide Web
    Edition: Also issued in print
    ISBN: 9781474208154
    Content: "A Cultural History of Theatre in the Early Modern Age provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 and 1650. Drawing together contributions from leading scholars, the volume examines socio-economically heterodox nature of theatre and performance during this period. Each chapter takes a different theme as its focus, including institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance, and knowledge transmission."--Bloomsbury Publishing
    Note: Includes bibliographical references , Also issued in print. , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9781472585745
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London, England : Zed Books | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1895299144
    Format: 1 Online-Ressource (281 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781474208154
    Series Statement: The Cultural Histories Series volume 3
    Content: "For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission."--
    Note: Includes bibliographical references and index , Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication page; CONTENTS; LIST OF ILLUSTRATIONS; NOTES ON CONTRIBUTORS; SERIES PREFACE; EDITOR'S ACKNOWLEDGEMENTS; Introduction Culture, Cultural History and Early Modern Theatre ROBERT HENKE; CHAPTER ONE Institutional Frameworks for Theatre, 1400-1650; CHAPTER TWO Social Functions; AUDIENCE BEHAVIOUR; RECONSTRUCTING SPECTATORSHIP; SENSORY PERCEPTION; RELIGIOUS AND CIVIC RITUAL; UNSCRIPTED ENTERTAINMENTS; CONCLUSION; CHAPTER THREE Sexuality and Gender; PREAMBLE; FROM THE COURTLY TO THE UNRULY THEATRICAL BODY , THE DESIRED, FABRICATED AND MARKETED THEATRICAL BODYSACRED AND PROFANE THEATRICAL BODIES; CHAPTER FOUR The Environment of Theatre; STREETS AND PLAZAS; COURTS AND ARISTOCRATIC HOUSEHOLDS; ACADEMIES, SCHOOLS AND UNIVERSITIES; PLAYHOUSES AND PURPOSE-BUILT THEATRES; 'TRAGEDIANS OF THE CITY'; CHAPTER FIVE Circulation; ARISTOCRATIC NETWORKS; COMMERCIAL NETWORKS; CHURCH NETWORKS; INTELLECTUAL NETWORKS; CHAPTER SIX Interpretations; HUMANISTS ON ACTING; 'RENAISSANCE THEATRE': ASPIRATIONS, FAILURES AND THE TAMING OF THE ACTORS; THE BODY OF PROFESSIONAL ACTORS; CHAPTER SEVEN Communities of Production , CHILDHOODYOUTH; MAJORITY; SENESCENCE; CHAPTER EIGHT Repertoire and Genres; RINASCIMENTO: RECEPTIONS OF ANTIQUITY AND NEW FORMS OF THEATRE IN ITALY; VENICE AND POPULAR THEATRE; THE ERA OF ELIZABETH I: POPULAR THEATRE AND HUMANISM IN ENGLAND; THE SPANISH THEATRE OF THE SIGLO DE ORO; THE FOUNDING OF THE ACADÉMIE FRANÇAISE AND THE FORMATION DE LA DOCTRINE IN FRANCE; CRISIS AND SELF-ASSERTION: FORMS OF THEATRE IN GERMANY; CHAPTER NINE Technologies of Performance; SCENIC UNITY; MOVEABLE SCENES AND MACHINES; LIGHTING; THE DIGNITY OF PERMANENCE; CHAPTER TEN Knowledge Transmission , PROLOGUE: TOWARDS A CULTURAL HISTORY OF THEATRICAL KNOWLEDGE TRANSMISSIONTEACHING THEATRE; REMEMBERING THEATRE; TEACHING AND REMEMBERING WITH THEATRE; NOTES; BIBLIOGRAPHY; INDEX , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781472585745
    Additional Edition: ISBN 1350135380
    Additional Edition: ISBN 9781350135383
    Additional Edition: ISBN 9781350135376
    Additional Edition: ISBN 1350135372
    Additional Edition: ISBN 9781472585844
    Additional Edition: Erscheint auch als Druck-Ausgabe Henke, Robert A Cultural History of Theatre in the Early Modern Age London : Bloomsbury Publishing Plc, ©2019 ISBN 9781472585745
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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