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  • 1
    Online Resource
    Online Resource
    London :Bloomsbury Arden Shakespeare, | London :Bloomsbury Publishing,
    UID:
    almahu_BV048406989
    Format: 1 Online-Ressource (xxviii, 292 Seiten) : , Illustrationen.
    Edition: 2014
    ISBN: 978-1-4742-3706-2 , 978-1-4742-3704-8
    Content: "A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre."--Bloomsbury Publishing
    Note: published Online 2016. - Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4742-3703-1
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-3705-5
    Language: English
    Subjects: General works , English Studies
    RVK:
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Film ; Homosexualität
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury,
    UID:
    almafu_BV043828826
    Format: xxvii, 286 Seiten : , Illustrationen.
    Edition: First published
    ISBN: 978-1-350-08446-9 , 978-1-4742-3703-1
    Series Statement: The Arden Shakespeare
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4742-3706-2
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4742-3704-8
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-3705-5
    Language: English
    Subjects: General works , English Studies
    RVK:
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Film ; Homosexualität
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1778607489
    Format: 1 Online-Ressource
    ISBN: 9781474237062
    Content: A range of mainstream and independent English language film productions of A Midsummer Night’s Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer – broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly – but not exclusively – as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1689045752
    Format: 1 Online-Ressource (xxvii, 286 pages)
    ISBN: 9781474237062
    Content: A range of mainstream and independent English language film productions of 'A Midsummer Night's Dream', 'Romeo and Juliet', 'Othello', 'Twelfth Night', and 'The Merchant of Venice' take centre stage in 'Queering the Shakespeare Film'. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film
    Note: Includes bibliographical references and index , Previously issued in print: London: Bloomsbury Arden Shakespeare, 2016. Digital resource published 2018 , Zielgruppe - Audience: Specialized
    Additional Edition: ISBN 9781474237031
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781474237031
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    b3kat_BV048406989
    Format: 1 Online-Ressource (xxviii, 292 Seiten) , Illustrationen
    Edition: 2014
    ISBN: 9781474237062 , 9781474237048
    Content: "A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre."--Bloomsbury Publishing
    Note: published Online 2016 , Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4742-3703-1
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4742-3705-5
    Language: English
    Subjects: General works , English Studies
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Film ; Homosexualität ; Geschichte
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    London :Bloomsbury Arden Shakespeare,
    UID:
    edocfu_9959028572602883
    Format: 1 online resource (315 p.)
    ISBN: 1-4742-3706-1 , 1-4742-3704-5 , 1-4742-3705-3
    Series Statement: Arden Shakespeare
    Content: "A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre."--Bloomsbury Publishing.
    Note: Description based upon print version of record. , FC ; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction: The presence of the queer in the Shakespeare film; 1 Max Reinhardt and William Dieterle's A Midsummer Night's Dream and the queer problematics of gender, sodomy, marriage and masculinity; 2 The queer director, gay spectatorship and three cinematic productions of Shakespeare's 'straightest' play - Romeo and Juliet , 3 The visual poetics of gender trouble in Trevor Nunn's Twelfth Night, Baz Luhrmann's Romeo + Juliet and Michael Hoffman's William Shakespeare's A Midsummer Night's Dream4 Screening the male homoerotics of Shakespearean romantic comedy on film in Michael Radford's The Merchant of Venice and Trevor Nunn's Twelfth Night; 5 'I am your own forever': Iago, queer self-fashioning and the cinematic Othellos of Orson Welles and Oliver Parker; Conclusion: Queering the Shakespeare film in the early twenty-first century; Notes; Bibliography; Index , Also issued in printing. , English
    Additional Edition: ISBN 1-350-08446-8
    Additional Edition: ISBN 1-4742-3703-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    London :Bloomsbury Arden Shakespeare,
    UID:
    edoccha_9959028572602883
    Format: 1 online resource (315 p.)
    ISBN: 1-4742-3706-1 , 1-4742-3704-5 , 1-4742-3705-3
    Series Statement: Arden Shakespeare
    Content: "A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre."--Bloomsbury Publishing.
    Note: Description based upon print version of record. , FC ; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction: The presence of the queer in the Shakespeare film; 1 Max Reinhardt and William Dieterle's A Midsummer Night's Dream and the queer problematics of gender, sodomy, marriage and masculinity; 2 The queer director, gay spectatorship and three cinematic productions of Shakespeare's 'straightest' play - Romeo and Juliet , 3 The visual poetics of gender trouble in Trevor Nunn's Twelfth Night, Baz Luhrmann's Romeo + Juliet and Michael Hoffman's William Shakespeare's A Midsummer Night's Dream4 Screening the male homoerotics of Shakespearean romantic comedy on film in Michael Radford's The Merchant of Venice and Trevor Nunn's Twelfth Night; 5 'I am your own forever': Iago, queer self-fashioning and the cinematic Othellos of Orson Welles and Oliver Parker; Conclusion: Queering the Shakespeare film in the early twenty-first century; Notes; Bibliography; Index , Also issued in printing. , English
    Additional Edition: ISBN 1-350-08446-8
    Additional Edition: ISBN 1-4742-3703-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    London :Bloomsbury Arden Shakespeare,
    UID:
    almahu_9949712148602882
    Format: 1 online resource (315 p.)
    ISBN: 1-4742-3706-1 , 1-4742-3704-5 , 1-4742-3705-3
    Series Statement: Arden Shakespeare
    Content: "A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre."--Bloomsbury Publishing.
    Note: Description based upon print version of record. , FC ; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction: The presence of the queer in the Shakespeare film; 1 Max Reinhardt and William Dieterle's A Midsummer Night's Dream and the queer problematics of gender, sodomy, marriage and masculinity; 2 The queer director, gay spectatorship and three cinematic productions of Shakespeare's 'straightest' play - Romeo and Juliet , 3 The visual poetics of gender trouble in Trevor Nunn's Twelfth Night, Baz Luhrmann's Romeo + Juliet and Michael Hoffman's William Shakespeare's A Midsummer Night's Dream4 Screening the male homoerotics of Shakespearean romantic comedy on film in Michael Radford's The Merchant of Venice and Trevor Nunn's Twelfth Night; 5 'I am your own forever': Iago, queer self-fashioning and the cinematic Othellos of Orson Welles and Oliver Parker; Conclusion: Queering the Shakespeare film in the early twenty-first century; Notes; Bibliography; Index , Also issued in printing. , English
    Additional Edition: ISBN 1-350-08446-8
    Additional Edition: ISBN 1-4742-3703-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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