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  • 1
    Online Resource
    Online Resource
    Screening race in American nontheatrical film / (2019)
    Durham :Duke University Press,
    Details
    UID:
    almafu_9959677597002883
    Format: 1 online resource (457 pages)
    ISBN: 1-4780-0560-2
    Content: Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro. , English
    Additional Edition: ISBN 1-4780-0476-2
    Additional Edition: ISBN 1-4780-0414-2
    Language: English
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  • 2
    Online Resource
    Online Resource
    Screening race in American nontheatrical film (2019)
    Durham : Duke University Press
    Details
    UID:
    gbv_1727299329
    Format: 1 Online-Ressource (457 Seiten)
    ISBN: 9781478005605
    Content: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J. K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781478004141
    Additional Edition: ISBN 9781478004769
    Additional Edition: Erscheint auch als Druck-Ausgabe Screening race in American nontheatrical film Durham : Duke University Press, 2019 ISBN 9781478004141
    Additional Edition: ISBN 9781478004769
    Language: English
    Keywords: Electronic books
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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    Stabi Berlin
  • 3
    Online Resource
    Online Resource
    Screening race in American nontheatrical film (2019)
    Durham : Duke University Press
    Details
    UID:
    b3kat_BV047068558
    Format: 1 Online-Ressource (xxvi, 430 Seiten) , Illustrationen
    ISBN: 9781478005605 , 1478005602
    Note: Includes bibliographical references and index , Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- , - 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- , - Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781478004141
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1478004142
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781478004769
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1478004762
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781478004141
    Language: English
    Keywords: Ethnologie ; Amateurfilm ; Nationale Minderheit ; Bildung ; Schwarze ; USA ; Aufsatzsammlung
    DOI: 10.1215/9781478005605
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    Screening race in American nontheatrical film / (2019)
    Durham ; London :Duke University Press,
    Details
    UID:
    almafu_BV046250172
    Format: xxvi, 430 Seiten : , Illustrationen.
    ISBN: 978-1-4780-0414-1 , 978-1-4780-0476-9
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- , 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- , Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro
    Additional Edition: Erscheint auch als Online-Ausgabe Screening race in American nontheatrical film Durham : Duke University Press, 2019 ISBN 978-1-4780-0560-5
    Language: English
    Keywords: Ethnologie ; Amateurfilm ; Nationale Minderheit ; Bildung ; Schwarze ; Aufsatzsammlung
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    Book
    FU Berlin get availability status
  • 5
    Online Resource
    Online Resource
    Screening race in American nontheatrical film / (2019)
    Durham :Duke University Press,
    Details
    UID:
    edoccha_9959677597002883
    Format: 1 online resource (457 pages)
    ISBN: 1-4780-0560-2
    Content: Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro. , English
    Additional Edition: ISBN 1-4780-0476-2
    Additional Edition: ISBN 1-4780-0414-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
  • 6
    Online Resource
    Online Resource
    Screening race in American nontheatrical film / (2019)
    Durham :Duke University Press,
    Details
    UID:
    edocfu_9959677597002883
    Format: 1 online resource (457 pages)
    ISBN: 1-4780-0560-2
    Content: Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro. , English
    Additional Edition: ISBN 1-4780-0476-2
    Additional Edition: ISBN 1-4780-0414-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    FU Berlin
  • 7
    Online Resource
    Online Resource
    Screening race in American nontheatrical film / (2019)
    Durham :Duke University Press,
    Details
    UID:
    almahu_9948641598802882
    Format: 1 online resource (457 pages)
    ISBN: 1-4780-0560-2
    Content: Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
    Note: Foreword. Making voice, taking voice: nonwhite and nontheatrical / Jacqueline Najuma Stewart -- Introduction / Allyson Nadia Field and Marsha Gordon -- 'A vanishing race' The Native American films of J.K. Dixon / Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 / Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 / Martin L. Johnson -- The politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film / Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 / Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art / Colin Gunckel -- Ever-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy / Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) / Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film / Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT / Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in the black cop / Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops / Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 / Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 / Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) / Laura Isabel Serna -- Aestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) / Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology / Crystal Mun-hye Baik -- Black home movies: time to represent / Jasmyn R. Castro. , English
    Additional Edition: ISBN 1-4780-0476-2
    Additional Edition: ISBN 1-4780-0414-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
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