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  • 1
    Online-Ressource
    Online-Ressource
    Durham ; London :Duke University Press,
    UID:
    almahu_BV046855472
    Umfang: 1 Online-Ressource (213 Seiten) : , Illustrationen.
    ISBN: 978-1-4780-0726-5
    Inhalt: In Punctuations Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 9781478005889
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 9781478006565
    Sprache: Englisch
    Fachgebiete: Politologie
    RVK:
    RVK:
    Schlagwort(e): Künste ; Das Politische ; Opposition ; Kulturkritik ; Künste ; Zeichensetzung ; Politik ; Künste ; Politik
    URL: Volltext  (Lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Durham : Duke University Press
    UID:
    gbv_1669280829
    Umfang: 213 Seiten , Illustrationen
    ISBN: 9781478005889 , 9781478006565
    Inhalt: How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations.
    Inhalt: "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9781478007265
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Shapiro, Michael J., 1940 - Punctuations Durham : Duke University Press, 2019 ISBN 9781478007265
    Sprache: Englisch
    Fachgebiete: Politologie
    RVK:
    RVK:
    Schlagwort(e): Künste ; Politik ; Künste ; Das Politische ; Opposition ; Kulturkritik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    almafu_9959677576002883
    Umfang: 1 online resource
    ISBN: 1-4780-0726-5
    Inhalt: "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"--
    Anmerkung: How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations. , Issued also in print.
    Weitere Ausg.: ISBN 1-4780-0656-0
    Weitere Ausg.: ISBN 1-4780-0588-2
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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