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  • 1
    UID:
    gbv_1696943876
    Format: ix, 262 Seiten , Illustrationen, Karten , 24 cm
    ISBN: 9781478008057 , 1478008059 , 9781478007630 , 147800763X
    Content: "UNDERGLOBALIZATION examines the cultural logic of the fake that has shaped globalized politics and culture in China. Joshua Neves shows how this interest in faking encompasses more than just China's infamous counterfeit luxury goods and pirated films, extending into questions about political legitimacy and Chinese ambivalence about being assimilated into hegemonic global modernity. Neves looks at various cultural practices in post-socialist Beijing-ranging from the consumption and circulation of cinema and film, to the proliferation of televisions and screens in private and public spaces, to the design of urban spaces and architectural landmarks-to understand how notions of legitimacy and faking operate as forms of neoliberal and neocolonial control. Pushing back against claims that Chinese modernity is incomplete, unrealized, or "counterfeit," Neves argues that the strategy of "faking globalization" deploys illegality and illegitimacy as cultural and political techniques of being global. Neves begins by outlining the history of Beijing's post-socialist transformation, showing how this transformation is structured temporally--as the ruins of the past have been cleared away--to make space for modern architectural projects and redesigned city spaces. He also explores how media culture influences and interacts with official designs and blueprints for these urban projects, a kind of fake or piratical citizenship that penetrates and transforms official structures. Next, turning to cinema and television, Neves looks at movie theaters in Beijing and the distribution and regulation of film in China, as well as at the proliferation of TV culture and screens throughout Beijing, showing how television becomes a form for public communication. Lastly, he considers how everyday people interact with media and technology in China, focusing on the role of laborers and how they engage creatively with the media technologies they help produce, and finally returning to the question of media piracy to explore the social life of informal media as it circulates through Beijing. UNDERGLOBALIZATION will be of interest to scholars and students in Asian studies, media studies, and cultural studies"--
    Note: Literaturangaben Seite 199-225 , Literaturhinweise Seite 227-244 , Register Seite 245-262
    Additional Edition: ISBN 9781478009023
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-0902-3
    Language: English
    Keywords: China ; Peking ; Produktpiraterie ; Legitimität ; Globalisierung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Durham ; London :Duke University Press,
    UID:
    almahu_BV046952613
    Format: ix, 262 Seiten : , Illustrationen, Karten ; , 24 cm.
    ISBN: 9781478007630 , 147800763X , 9781478008057 , 1478008059
    Content: "UNDERGLOBALIZATION examines the cultural logic of the fake that has shaped globalized politics and culture in China. Joshua Neves shows how this interest in faking encompasses more than just China's infamous counterfeit luxury goods and pirated films, extending into questions about political legitimacy and Chinese ambivalence about being assimilated into hegemonic global modernity. Neves looks at various cultural practices in post-socialist Beijing-ranging from the consumption and circulation of cinema and film, to the proliferation of televisions and screens in private and public spaces, to the design of urban spaces and architectural landmarks-to understand how notions of legitimacy and faking operate as forms of neoliberal and neocolonial control.
    Content: Pushing back against claims that Chinese modernity is incomplete, unrealized, or "counterfeit," Neves argues that the strategy of "faking globalization" deploys illegality and illegitimacy as cultural and political techniques of being global. Neves begins by outlining the history of Beijing's post-socialist transformation, showing how this transformation is structured temporally--as the ruins of the past have been cleared away--to make space for modern architectural projects and redesigned city spaces. He also explores how media culture influences and interacts with official designs and blueprints for these urban projects, a kind of fake or piratical citizenship that penetrates and transforms official structures. Next, turning to cinema and television, Neves looks at movie theaters in Beijing and the distribution and regulation of film in China, as well as at the proliferation of TV culture and screens throughout Beijing, showing how television becomes a form for public communication.
    Content: Lastly, he considers how everyday people interact with media and technology in China, focusing on the role of laborers and how they engage creatively with the media technologies they help produce, and finally returning to the question of media piracy to explore the social life of informal media as it circulates through Beijing. UNDERGLOBALIZATION will be of interest to scholars and students in Asian studies, media studies, and cultural studies"--
    Additional Edition: Online version Neves, Joshua Wade, 1977- Underglobalization Durham : Duke University Press, 2020 ISBN 9781478009023
    Language: English
    Subjects: Political Science , General works
    RVK:
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959673936502883
    Format: 1 online resource (272 p.)
    ISBN: 9781478009023
    Content: Despite China's recent emergence as a major global economic and geopolitical power, its association with counterfeit goods and intellectual property piracy has led many in the West to dismiss its urbanization and globalization as suspect or inauthentic. In Underglobalization Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China. Focusing on a wide range of media technologies and practices in Beijing, Neves shows how piracy and fakes are manifestations of what he calls underglobalization—the ways social actors undermine and refuse to implement the specific procedures and protocols required by globalization at different scales. By tracking the rise of fake politics and transformations in political society, in China and globally, Neves demonstrates that they are alternate outcomes of globalizing processes rather than anathema to them.
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , Introduction: After Legitimacy -- , 1. Rendering the City. Between Ruins and Blueprints -- , 2. Digital Urbanism. Piratical Citizenship and the Infrastructure of Dissensus -- , 3. Bricks and Media. Cinema’s Technologized Spatiality -- , 4. Beijing en Abyme. Television and the Unhomely Social -- , 5. Videation. Technological Intimacy and the Politics of Global Connection -- , 6. People as Media Infrastructure. Illicit Culture and the Pornographies of Globalization -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959677504202883
    Format: 1 online resource (1 online resource)
    ISBN: 1-4780-0902-0
    Content: "UNDERGLOBALIZATION examines the cultural logic of the fake that has shaped globalized politics and culture in China. Joshua Neves shows how this interest in faking encompasses more than just China's infamous counterfeit luxury goods and pirated films, extending into questions about political legitimacy and Chinese ambivalence about being assimilated into hegemonic global modernity. Neves looks at various cultural practices in post-socialist Beijing-ranging from the consumption and circulation of cinema and film, to the proliferation of televisions and screens in private and public spaces, to the design of urban spaces and architectural landmarks-to understand how notions of legitimacy and faking operate as forms of neoliberal and neocolonial control. Pushing back against claims that Chinese modernity is incomplete, unrealized, or "counterfeit," Neves argues that the strategy of "faking globalization" deploys illegality and illegitimacy as cultural and political techniques of being global. Neves begins by outlining the history of Beijing's post-socialist transformation, showing how this transformation is structured temporally--as the ruins of the past have been cleared away--to make space for modern architectural projects and redesigned city spaces. He also explores how media culture influences and interacts with official designs and blueprints for these urban projects, a kind of fake or piratical citizenship that penetrates and transforms official structures. Next, turning to cinema and television, Neves looks at movie theaters in Beijing and the distribution and regulation of film in China, as well as at the proliferation of TV culture and screens throughout Beijing, showing how television becomes a form for public communication. Lastly, he considers how everyday people interact with media and technology in China, focusing on the role of laborers and how they engage creatively with the media technologies they help produce, and finally returning to the question of media piracy to explore the social life of informal media as it circulates through Beijing. UNDERGLOBALIZATION will be of interest to scholars and students in Asian studies, media studies, and cultural studies"--
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , Introduction: After Legitimacy -- , 1. Rendering the City. Between Ruins and Blueprints -- , 2. Digital Urbanism. Piratical Citizenship and the Infrastructure of Dissensus -- , 3. Bricks and Media. Cinema’s Technologized Spatiality -- , 4. Beijing en Abyme. Television and the Unhomely Social -- , 5. Videation. Technological Intimacy and the Politics of Global Connection -- , 6. People as Media Infrastructure. Illicit Culture and the Pornographies of Globalization -- , Notes -- , Bibliography -- , Index , Issued also in print.
    Additional Edition: ISBN 1-4780-0805-9
    Additional Edition: ISBN 1-4780-0763-X
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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